The Bureau of Lost Culture broadcast curious, rare, half-forgotten, half-remembered countercultural stories, oral histories and tales from the underground.
Join host Stephen Coates and a wide range of guests including musicians, writers and cultural commentators like Billy Bragg, Michael Moorcock, Iain Sinclair and Alan Moore in conversation.
Listen live on Sundays at 11.00am on London’s premier independent station Soho Radio or via catch-up on all major podcast providers: https://linktr.ee/BureauOfLostCulture
The Bureau is now also collected at The British Library Sound Archive
For more on the Bureau: www.bureauoflostculture.com
The Bureau produce publications, films, events, broadcasts and installations that tell half-forgotten or lost narratives driving human endeavour. We create immersive experiences with unique perspectives that connect people to hidden stories. +
We celebrate the self-made, inventiveness and ingenuity driven by need. +
We resonate with those who have taken risks to go against the establishment, beyond censorship and outside the forbidden. +
Peter Whitehead was an innovative English writer and filmmaker who documented the counterculture in London and New York in the late 1960s.
His film Wholly Communion captured The International Poetry Incarnation, a groundbreaking event at The Royal Albert Hall in 1965 that was to prove pivotal in the evolution of the underground scene. The film featured poetry readings by Beat poets including Allen Ginsberg, Michael Horovitz, Adrian Mitchell and Lawrence Ferlinghetti and established Whitehead as the London counterculture’s 'Man With a Movie Camera’.
Film event producer Marek Pytel walks us through Whtehead's life and work including the iconic 'Tonite Let's All Make Love in London’ documentary that helped define the "swinging London" scene of the sixties with psychedelic performances and interviewees including Pink Floyd, John Lennon,Yoko Ono, Mick Jagger, Vanessa Redgrave, Lee Marvin, Julie Christie, Allen Ginsberg, Eric Burdon, Michael Caine and many others.
We hear how Whitehead went onto film with The Rolling Stones and Jimi Hendrix and to make provocative work about the countercultural protest movement in late 60s New York before making an extraordinary career swerve.