Bureau of Lost Culture
Episodes
Sunday Aug 29, 2021
Sunday Aug 29, 2021
The ghosts of William Burroughs, Jack Kerouac, Alan Ginsberg, John Giorno and Bob Cobbing make an appearance at the Bureau - as curator Steve Cleary plays us a selection of super rare recordings from the British Library Sound Archive.
The Archive is one of the biggest curated resources of audio in the world and includes over 1 million discs, 185,000 tapes, and many other sound and video recordings from around the globe Steve takes us on a wander through its unparalleled counterculture collection.
We also hear from the capital's foremost chronicler of the counterculture, Barry Miles, on Burroughs' life in London - along with a live recording of the beat writer at Manchester's Hacienda, a sampling of his cutups, some deeply strange sound poems and a wonderful recording of Kerouac jazz scatting at Neal Cassidy’s house.
For more on the British Library Sound Archive
https://sounds.bl.uk
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Thursday Aug 19, 2021
Thursday Aug 19, 2021
Bird markets, sacred springs, border crossings, silk weavers, street drummers, games with headless goats, anti-aircraft rockets, courtyard songs and refugee choirs..
Documentary maker Monica Whitlock returns to the Bureau to paint an evocative sonic picture of the people and places she encountered whilst working in Uzbekistan, Kyrgyzstan, Tajikistan and Afghanistan as the BBC’s foreign correspondent for Central Asia.
We hear some of the extraordinary archive of field recordings, conversations and music she collected whilst living and travelling in Tashkent, Samarkand and Andujan and while crossing the borders between a family of ancient states. And we learn something of these regions with their deep rooted tribal loyalties as they were being reborn and reformed in the ruins of the Soviet empire.
For more on Monica:
http://www.story-scapes.com
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Monday Aug 02, 2021
Monday Aug 02, 2021
PIRATE RADIO first erupted in the UK in the early 1960s when stations such as Radio Caroline and Radio London started to broadcast from ships moored offshore or disused WW2 forts in the north sea. They were set up by wildcat entrepreneurs and music enthusiasts to meet the growing demand for the pop, rock and underground music not catered for by the BBC who had a monopoly on the airwaves.Music writer ROB CHAPMAN returns to the Bureau to tell the story of this first golden age of illicit broadcasting. We hear of the extraordinary life of pirate-in-chief Ronan O’Rahilly anarchist founder of Radio Caroline, of legendary broadcaster John Peel and his ground breaking show ‘The Perfumed Garden’, and of the oddities of life aboard the radio ships precariously sailing the airwaves.Initially, the stations got round the law because they were broadcasting from international waters to delighted young people across the country before they ran foul of the authorities and were shut down in 1967. But their impact lived on: the government caved into youth demand for pop music with the creation of Radio 1 and many of the pirate radio DJs including Tony Blackburn, Kenny Everett, Johnnie Walker, Emperor Rosko went on to mainstream success with the BBC and commercial stations of the seventies and beyond.For more on Robhttp://www.rob-chapman.com
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