jazz

Soho Night + Day

Scar-faced, ex-jailbird Frank Norman was part of the '50s and '60s Soho bohemian set and friends with Francis Bacon, Lucien Freud, Dylan Thomas and other habitues of the infamous Colony Room club.
 
After being abandoned as a child, growing up in institutions, and working as a fairground worker, he landed in Soho, became a petty criminal and spent time in prison where he learned to paint and write.
 
Back in Soho on leaving jail, astonishingly he became a succesful author, writer of the smash hit cockney musical 'Fings Aint What They Used To Be’, the acclaimed prison memoir Bang to Rights, and several novels - but never painted again.
 
In the early '60s he penned 'Soho Night and Day', a evocative survey of the area in its seedy, cosmopolitan prime, with photographs by his pal Jeffrey Bernard (later to become the most famous alcoholic in London).
 
Frank's grandson, Joe Daniel, came to talk  Bureau to talk about him and about the bohemian low-life of Soho in the '50s and '60s.
 
If you are listening to this in early 2025, and can be in London, we have curated an exhibtion in Soho of Frank's never before shown prison paintings:
See BEHIND BARS- Frank Norman’s Prison Paintings  for details
 
The republished wonderful Frank Norman and Jeffrey Bernard book Soho Night and Day
 
#soho #london #bohemian #colonyclub #colonyroom #Lucien Freud, #FrancisBacon #DylanThomas #FrankNorman #JeffreyBernard #murielbelcher #outsiderart
 
 

Dope Girls - The Birth of the British Drug Underground

*In 1918, Billie Carleton, a West End actress, came off stage, went partying with friends, returned to her flat and was found dead the next morning - apparently of a cocaine overdose. A few years later, Frieda Kimpton, a dancer in Soho bars, committed suicide - with cocaine.
 
These events blew up into a huge media dope drama - with a cast of characters includes villians - Brilliant Chang, a Chinese restaurant proprietor and Edgar Manning, a black jazz drummer  -  and victims, Billie, Frieda and the other 'Dope Girls'. 
 
*Around them, in the Soho streets off Shaftesbury Avenue, there swirled a raffish group of seedy and entitled hedonists. Britain was horrified and fascinated, and so the drug underground and the moral panic about it, was born amid a gush of exotic tabloid detail.
 
*MAREK KOHN whose newly revised cult classic Dope Girls has inspired an upcoming BBC TV series, came to the Bureau to tell us how the  panic about drugs that kicked off on the 1920s (bringing in drug laws that are still with us today), was more about the fear of newly emancipated women in society and an imagined menace of foreigners bound on enslaving them, than about any damage done by the drugs themselves.
 
*More about Dope Girls HERE
*More about Marek HERE
*More about the upcoming BBC series Dope Girl
 
#drugs #psychedelics #cocaine #opium #morphine #druglaws #counterculture #drugculture  #drugunderground #soho #overdose #dopegirls #dope #drugunderground 

The Strange and Beautiful World of Arthur Russell

When musician ARTHUR RUSSELL died in 1992, at age 40, of complications related to HIV-AIDS, he was an obscure figure — though a legend in the 70s and 80s underground music scenes at downtown New York clubs such as The Loft and Paradise Garage. 
RICHARD KING, author of 'Travels Over Feeling'(Faber) a poignant and evocative visual chronology of Arthur's life and times, came to the the Bureau to tell us about him and why he matters.
Despite his prodigious output, his inability to finish songs, and the genre-busting uniqueness of much of his music, meant that he released only two albums under his own name in his lifetime. But in the decades since his death, a series of posthumous releases have generated a deep love and admiration in many who have been lucky to come across his music.
 
We also get into indie record shop culture, music sobbery, the underground New York club scene of  the mid seventies and ask the question: 'How do you know when, a song, a book or a piece of art is finished?'
Thanks to Dan Papps at Faber, to Steve Knutson of Audika Records and Cat Corrigan of Beggars Banquet who have posthumously released much of Arthur's unpublished work, for permission to include his music.
We also included two selections from Matt Wolf’s film 'Wild Combination: A Portrait of Arthur Russell'
Image by Joel Sokolov/Courtesy of Audika Records
 
#arthurrussell #newyorkclubs #avantagarde #philipglass #audikarecords #richardking #faber #hiv #music
 

The Sounds of Black Power

*A time when musicians were viewed as revolutionaries and revolutionaries might be considered pop culture icons
 
*Crate digger / rock critc / reissue producer and archivist extraordinaire Pat Thomas came to the Bureau to tell how black power intersected with counterculture and influenced folk, rock, soul and jazz in the years between 1965 and 1975.
 
*We hear astonishing stories from his book 'Listen, Whitey: The Sights and Sounds of Black Power’ and some amazing sounds from the accompanying album issued by Light in the Attic including tracks by John and Yoko, Dylan, The Watts Prophets and Elaine Brown.
 
*And we learn how the Black Power Movement, and the Black Panthers in particular, moved from militant political action to community activism whilst interacting with the wider counterculture - and, though bad things were done, how many of their adherants used a pencil, a book of poetry, a typewriter or a musical instrument to bring about change beyond violent revolution.
 
#counterculture #rockagainstracism #backpanthers #blackpower #angeladavis #racism #thebeats #oakland #tomothyleary #activism #socialism #revolution #rockrevolution #eldridgecleaver #bobdylan #motown #johnandyoko #thewattsprophets 

Liberation Part 2: Glad to be Gay

Being the further adventures of English musician broadcaster and LGTBQ activist TOM ROBINSON, as he gets deeply involved in the gay counterculture of London in the '70s whilst on his journey to having a huge hit with the song 2-4-6-8 MotorwayWe hear about the genesis of another hit - (Sing if You're)Glad to Be Gay - a remarkable, unprecedented protest song that climbed into public consciousness in the late 70s (despite the best efforts of some in the establshment), and about Tom's later hit War Baby.
We talk about the desperate times in between, about his activism - not only for the queer commmuity but as part of the Rock Against Racism movement - and how he had to face one his greatest challenges in coming out for a second time, risking the disapproval of the very community he had fought for for many years…
 
And we learn about Stonewall, the UK’s ’Sus Law' and get some terriffic tips for songwriters aspiring stars..
 
For More on Tom
For More on Glad to Be Gay
#homosexuality #sex #suslaw #section28 #stonewall #glf #gayliberationfront #bisexuality #pride #pridemarch  #london #queer #gayliberation #quaker #sexuality #gay #tomrobinson #gladtobegay #suicide #counterculture #cafesociety #comingout #homesexuality #morality 

The Beat Goes On: The Sounds of Allen Ginsberg

YOUTH, producer of a huge range of artists (including Kate Bush, Crowded House, The Orb, KLF, The Verve, Guns ’n’ Roses and Primal Scream) and Jesse Goodman of the Allen Ginsberg Estate come to the Bureau to talk of the beat poet’s impact on music and the British counterculture.
 
We hear about Youth's 'Iron Horse' project and two albums of interpretations of Ginsberg's Fall of America poems by an astounding range of artists and we get deep into counterculture, the power of poetry, creativity and the possibility of a third summer of love..
--
Youth and Jesse will be with us in  March, when we are presenting a program of happenings to celebrate Ginsberg's London Life.  
See the EVENTS page for full details.
--
In May 1965, Allen  arrived in London and gave a free reading at Better Books in Charing Cross Road. It was an event described by poet-provocateur Jeff Nuttall as "the first healing wind on a very parched collective mind” and one that provided the impetus for the International Poetry Incarnation at Royal Albert Hall, a hugely significant catalyst for the first British Summer of Love.
Music featured prominently in Ginsberg’s work - both in his self-accompanied performances and live collaborations with artists including Dylan, Paul McCartney and Patti Smith - and in the inspiration it has had on the wide range of musicians who have set it to music.
Ginsberg In London Events 
Youth’s Iron Horse Album
Youth at The Horse Hospital March 15th
The Fall of America albums  Volume 1 and Volume 2
Images courtesy of the John Hopkins Estate
 

London's Lost Street of Song

Britain’s own Tin Pan Alley, Denmark Street was once alive with the sound of hammered pianos, and sung melodies and choruses. Its songwriters knocked out tunes on the fly and rushed to the street to sell them to pay for the next round of drinks.In the '60s, The Beatles, The Rolling Stones and The Kinks came here, so did Donovan and Jimmy Page, Eric Clapton and Elton John, Jimi Hendrix and Jeff Beck. A popular rendezvous was La Gioconda, an Italian cafe which most visited at some point or other – David Bowie was said to practically live there.Later when Malcolm McLaren was looking for a rehearsal space for The Sex Pistols, he was delighted to find room in Denmark Street, installing his upstarts in the heart of the traditional music industry - like Greek soldiers inside the Trojan Horse. 
 
Journalist Pete Watts returns to The Bureau to tell us tales of this lost street of dreams  - and at least of one nightmare.
 
Pete's wonderful book on Denmark Street is HERE
 
 
#hipgnosis #pink floyd #london #pop music #london #musichistory #counterculture #soho #musicpublishing #music  #1960s #jimihendrix #thesexpistols #davidbowie #the kinks #the beatles #DenmarkStreet #tinpanalley

Remembering the Crazy Diamond

•Cult icon, enigma, recluse, crazy diamond, he was the founding member of one of the world’s most  famous and succesful rock groups, but the life of Syd Barrett is full of unanswered questions.
 
•Was he a drug casualty of the sixties? Did he walk away from the pressures of the commercial music world? Did he suffer from an undiagnosed mental illness, did his muse abandon him? Was it a combination of these - or was it something more mysterious, something we can never really understand?
 
•'Have You Got It Yet?’, an extraordinary new film about Syd, pieces together his comet-like rise to pop stardom, his creative and destructive impulses, breakdown, his exit from Pink Floyd and his subsequent life alone, all set against the social context of the psychedelic swinging sixties. It is built around interviews with Syd’s friends, lovers, family and former band mates Roger Waters, David Gilmour, and Nick Mason. It is, as much as a tribute, a film about memory, friendship, lost youth, regret and the enduring power of music.
 
•Roddy Bogawa, the award winning co-director of the film and a crazy diamond in his own right, came to the Bureau to talk about 'Have You Got It Yet?’ - and to try to answer some of the questions about Syd. 
 
•And along the way, we dig deep into London in the '60s, LA in the '70s, punk, underground films - and of course, counterculture.
 
•For more details on the film Have You Got It Yet
•For more about Roddy
*Join our cult
 
Thanks, as ever, to Jenny Spires for connecting us with Roddy.
 
 
#tripping #psychedelics #theunconscious #consciousness #truth #madness #counterculture #drug  #lsd #memorey  #pinkfloyd  #sydbarrett #haveyougotityet? #crazydiamond #darksideofthemoon #wishyouwerehere #shineonyoucrazydiamond #ufoclub #madcap 

Riding The Oblivion Express - with Brian Auger

•He’s played with Jimi Hendrix, Sonny Boy Williamson, Paul McCartney, Rod Stewart, Jimmy Page, Billy Cobham, Spencer Davies, Long John Baldry, Rod Stewart, John McLaughlin, Tom Jones, Eric Burdon and many, many more.•With Julie Driscoll he had a huge hit with a masterful psychedelic rendition of Dylan's "This Wheel's on Fire” 
 
•He's been hailed as the godfather of acid jazz, sampled by hip hop stars and nominated for a Grammy Award.
 
•At 82, BRIAN AUGER is still moving, grooving, sharp as a pin - and 'beginning again' as he says.
 
•We hear his extraordinary story and of the sign posts pointing the way on his musical journey - from the London Blitz - through the Soho jazz clubs of the 60s - to Venice Beach.
 
•Thanks to Greg Boroman and Karma Augur for making this happen.
 
*For More on Brian 
 
* For more on the Auger Incorporated Archive release
 
*Let us know where you are at(a few questions about you)
*Get Our Bulletin
 
#counterculture #music #hammondorgan #soho #sohoclubs #soho #sohohistory #londonhistory #juliedriscoll #brianauger #hendrix #6oslondon #acidjazz

The Music of the Cults

*Their number encompasses the darkest bogeymen of countercultural nightmares- including Charles Manson, Jim Jones, David Koresh and the Reverend Moon -as well as saintly figures devoted to the good of others; outright charlatans, narcissistic psychopaths, deluded New Age prophets as well as genuine gurus.*Since the 1950s, certain charismatic individuals have taken it upon themselves to collect others around them in ‘cults’, rejecting mainstream religion and society in favour of a claim to secret knowledge of the path of liberation. The consequences have often been disastrous, involving the devotees actually getting liberated from their money, freedom - and sometimes, their lives.
 
*Artist and archivist MICAH MOSES has spent twenty years not only studying cults, new religious movements and individuals of a spiritually inspired nature, but broadcasting their soundtracks to a wider world.
 
*Micah came to the Bureau ahead of his ‘GODBODY' exhibition around the theme of the New Age showing in London at The Horse Hospital in September 2023.
 
*This episode of the Bureau contains a selection of strange, esoteric and sometimes sinister sounds from the vast archive he has gathered over the years. 
 
*For more on Micah’s WFMU Music of Mind Control radio show
*For the GODBODY exhibition
*Join our cult
#counterculture #cults #cultleaders #newage #thenewage #secretsocieties #jimjones #jonestown #marshallapplewhite #heavensgate #thechildrenofgod #manson #charlesmanson #davidberg  #scientology #guru #godbody #thehorsehospital

Rock, Radicals and Racism

*Roger Huddle is a born and bred Londoner, a working class music-mad mod who grew up in the 50s, got radicalised in the 60s and became a co-founder of one the most successful activist groups of the 70s - Rock Against Racism (RAR).
 
*RAR was a political and cultural movement which emerged in 1976 in reaction to a rise in racist attacks on the streets of the United Kingdom and increasing support for the far-right National Front at the ballot box.
 
•Between 1976 and 1982 RAR activists organised national carnivals and tours, as well as local gigs and clubs throughout the country bringing together black and white fans in their common love of music.
 
*The musicians came from all pop music genres including some of the UK's biggest post-punk and Reggae artists including The Clash, Misty in Roots, Elvis Costello and X-Ray Spex.
 
*Roger came into the Bureau to tell us all about it  and to school us in the London club scene of the 60s, radical socialism, agit prop, agit-pop, cultural revolution - and William Morris.
 
•For  more on Roger: 
•For more on RAR and Syd Shelton check out the film White Riot 
•Image courtesy: John Sturrock
 
#counterculture #rockagainstracism #rogerhuddle #sydshelton #thenationalfront #racism #thebeats #london #walthamstow #williammorris #socialism #revolution #rockrevolution #theclash #agitprop #trotsky

The ’4000 Year Old Rock ’n’ Roll Band’

*In a remote village in the Ahl Srif tribal area of Northern Morocco, dwell a collective of Sufi musicians. They play a form of trance music which is used for healing.  Timothy Leary called them The 4,000-year-old Rock’N’Roll band - rather superficial hyperbole perhaps - though it is true that what The Master Musicians of Joujouka play is thousands of years old - and shares something in common with the wildest and most inspired of  rock music.
 
Record producer, film-maker and Beat historian Frank Rynne, who co-organises their annual festival,  came to the Bureau to tell the strange and wonderful story of the musicians of Joujouka, their culture and their interaction with the counterculture of the 50s and 60s
 
We hear about Tangier at the time - and the life there of Beat artists Bryon Gysin and William Burroughs with digressions into the dark side of bohemia - along with the story of doomed Rolling Stone Brian Jones who came to record the Master Musicians shortly before his death.
 
For more on the Master Musicians of Jojouka
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#joujouka #counterculture #themastermusiciansofjoujouka #sufi #brianjones #psychedelicsound #psychedelicrock #williamburroughs #briongyson #rollingstones  #beatgeneration #thebeats

The Life and Psychedelic Times of the 13th Floor Elevators

*They were psychedelic outlaws holing up in hill country hideouts to escape police harassment, dealing drugs to survive and blasting out a mix of LSD evangelism, mystical philosophy and grooved up rock’n’roll.
 
*In their short existence, The 13th Floor Elevators succeeded in blowing the lid off the musical underground, logging early salvos in the countercultural struggle against state authorities, and turning their deeply hallucinatory take on jug-band garage rock into a new American institution called psychedelic music. 
 
*Paul Drummond author of 'Eye Mind - the Saga of Roky Erickson and the 13th Floor Elevators’ deemed the band significant enough to spend eight years of his life researching and writing about them - along with producing the definitve compilations of their work.
 
*We dig into their craziness - and into Janis Joplin, LSD, peyote, Antonin Artaud, mayhem, madness, music and more.
 
For More on Paul and his work
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#13thfloorelevators #counterculture #the13thfloorelevators #lsd #acid #psychedelicsound #psychedelicrock #occult #psychedelic #peyote  #rokyerickson #esoteric 

Moss Side Story - with Barry Adamson

He was a member of some of the most influential post punk bands: Magazine, The Birthday Party and The Bad Seeds. He's collaborated with a whole range of artists including Nick Cave, Iggy Pop, Diamanda Galas, David Lynch, Jarvis Cocker, Atticus Ross and Depeche Mode. He's written film scores, made films himself, made many solo records and recently published an extraordinary memoir of youth:  'Up Above the City and Down Beneath the Stars.’
 
The Jazz Devil Barry Adamson came to the Bureau to talk about his life and times - and about bones, about being an outsider, about Manchester in the 70s, about Punk, luck, trouble  - and about heroin addiction. 
 
And we discuss the alchemical process of turning darkness into artness and signposts and signal moments along the way.
 
For more on Barry 
http://www.barryadamson.com
 
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#manchester #barryadamson #magazine #thebirthdayparty #thebadseeds #nickcave #howarddevoto #theclash #punk #postpunk #heroin #davidlynch #jazzdevil #nickcave #johnnymarr

The Life and Times of Peter Coyote 2: Buddhism in Babylon

*From heroin to Hollywood, 
Here is the second part of our conversation with the writer, countercultural activist, Zen priest and erstwhile movie star PETER COYOTE at his farm in Sebastopol California. 
 
*Last time, we left him isolated and lost in the throes of drug addiction as the countercultural dream had started to turn sour. Now we pick up the story in the American communes of the early 70s, hear how he transitioned to become a successful actor appearing in over 160 films, and dig deep into counterculture, creativity, charisma, drugs, buddhism, how he navigated Hollywood Babylon.
 
*And Peter gives some amazing advice for actors, artists  - and for all of us
 
With thanks to Jenny Spires.
 
Join the Bureau of Lost Culture for countercultural news, stories and special events
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For more on Peter and his work
http://www.petercoyote.com
#counterculture #thediggers #petercoyote #psychedelic #mescaline #peyote #haightashbury #freefamil #london #hellsangels #kenkesey #zen #america #heroin #drugaddiction 

Roentgenizdat - The Hidden History of Bone Music

*During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own extraordinary discs of forbidden jazz, rock ‘n’ roll, and Russian music, cut onto used hospital x-ray film. 
 
*Today’s special guest is, er… me, Stephen Coates
 
*My new book BONE MUSIC details how the x-ray bootleggers worked, and reveals for the first time, the hidden history of their archivist precursors in Budapest. Who were they? Why did they do it and how was this Roentgenizdat (private pressing on xray) even possible? 
 
*Cultural Commentator TRAVIS ELBOROUGH returns to the Bureau and we swap seats so that he can run the show 
 
*We dig deep into the culture of the Soviet X-Ray Underground, the character of the bootleggers, cold war culture, cultural repression and ask if Bone Music has anything to say about current censorship in Russia.
 
*For More on BONE MUSIC the book: https://www.x-rayaudio.com/bonemusicbook
*The Bureau of Lost Culture: https://www.bureauoflostculture.com
 
#bonemusic #x-rayaudio #xrayaudio #sovietunion #coldwar #forbiddenculture #roentgenizdat #bonerecords #rockonribs #

The Last of the Merry Pranksters

*In the summer of 1964, a very strange vehicle was seen making its way across America. it was a school bus covered in psychedelic colours, driven by NEAL CASSADY, a beat generation character made famous in JACK KEROUAC'S beat generation classic On the Road and piloted by KEN KESEY, the best selling author of One Flew Over the Cuckoo’s Nest.
 
*The bus contained a raggle-taggle crew of crazy psychonauts calling themselves The Merry pranksters allegedly dispensing LSD in orange kool aid to all and sundry in attempt to turn on America.
 
*In this episode, we leave Soho to travel to the far west of the USA, to a farm in Oregon to meet KEN BABBS the last of The Merry Pranksters.
 
*We talk of all sorts of things - Ken Kesey, the Magic Trip and the Acid Tests of course, plus Kerouac, Ginsberg, Viet Nam, Timothy Leary, spontaneity, the good life and dreams.*And at the end we hear some very positive news about a question that I suspect is troubling many of us
 
*For The Bureau of Lost Culture https://www.bureauoflostculture.com 
 
#bureauoflostculture #kenkesey #kenbabbs #tarot #themerrypranksters #kerouac #ginsberg #themagicbus #lsd  #acid #tomwolfe #counterculture #psychedelic #thegratefuldead #acidtests #nealcassady #beatgeneration 
 
 

The Cabaret of the Nameless

*Performance artist, actor and underground cabaret star Madame LePustra leads us on a journey back in time in search of the Berlin Cabaret and Kabarett of Weimar Republic era Berlin.
 
*We learn of the strange and progressive Golden Years of the 1920s when queer and trans identiities were accepted, even feted, within an underground culture that briefly flowered in the city between the wars.
 
*We meet some of the extraordinary women performers who pushed artistic, theatrical and social boundaries before the Nazis jackbooted the doors of the clubs and theatres and brought the era to a tragic close.
 
*And we hear of Madame Le Pustra’s work to remember and reinterpret the times through their re-imagined ‘Cabaret of the Nameless’.
 
For more on Madame Le Pustra https://madamelepustra.com 
The Bureau of Lost Culture https://www.bureauoflostculture.com
Image courtesy Madame Le Pustra  / Michel Dierickx 
 
#berlincabaret #weimarcabaret #madamelepustra #cabaretofthenameless #counterculture

Smells Like Teen Spirit

*"Teenage savages go wild in a jungle of lust and lawlessness!"
 
*Countercultural commentator and writer JOHN HIGGS comes to the Bureau. We head out into the feverish febrile pheromone filled phase of self consciousness, sex drugs and rock’n’roll known as adolescence as we investigate the birth of the teenage in the late 40s and 50s.  
 
*Was it all really kicked off by Little Richard’s Tutti Frutti?    
 
*We chart the rise of youth culture on both sides of the Iron Curtain and debate that while ‘all you need is love’, ‘you can’t always get what you want’ as we trace counterculture through beats, mods, hippies, punks, ravers, grunge and britpop, touch down briefly on gender politics and the death of Kurt Cobain and wonder if 70 will one day be the new seventeen.
 
For more on John https://johnhiggs.com
 
The Bureau of Lost Culture https://www.bureauoflostculture.com
#counterculture #littlerichard #teenage #rockandroll #kurtcobain #beatles #rollingstones #hippie 

The Low Down LA Life of Tom Waits

*Musician and actor TOM WAITS is one of the great countercultural artists of our time, His '70s albums documented low life America in an LA that no longer exists
 
*Filmmaker Alex Harvey, author of 'Song Noir: Tom Waits and the Spirit of Los Angeles’ comes to the Bureau to tell how Waits mined a rich seam of the city’s low-life locations and characters, letting the place feed his dark imagination.
 
*We hear how Tom blended real life with the mythic, turning autobiographical details into songs that were both romantic and disturbing -  and created a vision of LA as the warped, narcotic heart of his nocturnal explorations.
 
*For more on Alex http://alexanderharvey.org/
*For Song Noir: http://www.reaktionbooks.co.uk/display.asp?ISB=9781789146639
*For more on Tom Waits: http://www.tomwaits.com/
*For The Bureau of Lost Culture https://www.bureauoflostculture.com 
#counterculture #tomwaits #rickieleejones  #thetropicana #LA #kathleenbrenan 

The Life and Times of Dubmeister Dennis Bovell

* He stepped off a plane from Barbados onto a wet and windy runway at Heathrow airport in 1965 aged 12.
* Now he’s a DJ, multi-instrumentalist and producer of hundreds of records spanning reggae, lovers rock, soul, dub, punk and pop.  
 
* Dennis Bovell's life in music is populated by a countercultural cornucopia of artists as wide ranging as Linton Kwesi Johnson, The Slits, Madness, Bananarama, the Pop Group, Fela Kuti, Orange Juice, Marvin Gaye, Ryuichi Sakamoto, Dexy’s Midnight Runners and most recently, Radiohead, The Animal Collective and Spoon.* He's even got an MBE.* We dig into all that - or as much as we can - plus Hendrix, sound systems, cutting dub plates, sound clashes with Lee Scratch Perry, police harrasment, wrongful imprisonment and the youthful joys of eating breadfruit on the beach.
* For More on Dennis https://en.wikipedia.org/wiki/Dennis_Bovell
 
* The Bureau Home https://www.bureauoflostculture.com
* The Bureau Instagram https://www.instagram.com/bureauoflostculture/
* The Bureau Newsletter  https://lp.constantcontactpages.com/su/N0ZYoFu/BOLC 

Countercultural Broadcasting: Urban Pirate Radio

* Ninja Tune head honcho and Coldcut co-pirate Jonathan More returns to the Bureau to talk about his adventures hi-jinxing and hi-jacking the airwaves in the Wild West of South London. 
* For the second in our trilogy on illicit broadcasting, we hear tales of DJ derring-do during the birth Of Kiss Fm, once one of the coolest of the urban pirate radio stations and its transition to the commercial mainstream. 
* And in the mix, we debate how the mainstream is dependent on the underground, the culture feeds on the counterculture, and along the way go crate-digging into how Jon caught the disease of collecting vinyl, putting on warehouse parties, life-changing meetings in London taxis, pirate TV, Coldcut's Solid Steel show - and nuclear power station ephemera.. 
* For Jon and Coldcut http://coldcut.net
* Jon’s Soho Radio show Out to Lunch https://sohoradiolondon.com/profile/jon-more/ 
Thanks for audio samples and info:
* DJ Food https://www.djfood.org/
* The Pirate Radio Archive https://www.thepiratearchive.net/
* AMFM.0rg https://www.amfm.org.uk/
* Death is Not the End https://deathisnot.bandcamp.com/album/london-pirate-radio-adverts-1984-1993-vol-1 
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Raving Upon Thames

Soho and Chelsea have always been hailed as the epicentres of swinging London.
 
But there was a third, and now rather forgotten place which gave birth to The Cool - a place that was the home to one of the most influential jazz clubs of the 50s before providing a launchpad for The Rolling Stones and the bourgeoning British R+B and psychedelic scenes of the 60s. It was a place that went onto to host an extraordinary roster of artists including Cream, The Yardbirds, pre-Bowie David Jones, Pink Floyd, Black Sabbath, Jimmy Page, Genesis, Yes and many, many others before morphing into a hippy commune in the 70s.
 
Author Andrew Humphreys comes to the Bureau to tell the strange story of Eel Pie Island - a bucolic bit of London in the middle of the river Thames - an island which for 15 years played an essential role in the history of British counterculture.
 
For more on Andrew and his book Raving Upon Thames
http://www.paradiseroad.co.uk
 
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The Art and Craftiness of Sampling

Jon More, one half of cut-and-paste collage kings Coldcut and co-founder with Matt Black of Ninja Tune record label, joins turntablist, crate digger Strictly Kev of  DJ Food as we dig deep into the wild and wonky world of sampling - the borrowing, plundering, adapting and re-imagining of existing audio, songs and sounds to create new audio, songs and sounds.
 
Sampling  might have started off as a countercultural underground cut-and-paste technique used by experimental artists but it ended up powering a huge amount of hip-hop tunes and some very big hit records.
 
We hear some of Jon and Kev's favourite sampling selections, learn about the creative use of the tape recorder pause button, and delve into sound art, musique concrète and pop cultural pick-pocketing down the ages.
 
For more on Jon and Coldcut
http://coldcut.net
 
For more on DJ Food / Strictly Kev
https://www.djfood.org
 
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William Burroughs and Friends

The ghosts of William Burroughs, Jack Kerouac, Alan Ginsberg, John Giorno and Bob Cobbing make an appearance at the Bureau - as curator Steve Cleary plays us a  selection of super rare  recordings from the British Library Sound Archive.
 
The Archive is one of the biggest curated resources of audio in the world and includes over 1 million discs, 185,000 tapes, and many other sound and video recordings from around the globe  Steve takes us on a wander through its unparalleled counterculture collection.
 
We also hear from the capital's foremost chronicler of the counterculture, Barry Miles, on Burroughs' life in London  - along with a live recording of the beat writer at Manchester's Hacienda, a sampling of his cutups, some deeply strange sound poems and a wonderful recording of Kerouac jazz scatting at Neal Cassidy’s house.
 
For more on the British Library Sound Archive
https://sounds.bl.uk
 
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The Lost World of Pirate Radio - Part One

PIRATE RADIO first erupted in the UK in the early 1960s when stations such as Radio Caroline and Radio London started to broadcast from ships moored offshore or disused WW2 forts in the north sea. They were set up by wildcat entrepreneurs and music enthusiasts to meet the growing demand for the pop, rock and underground music not catered for by the BBC who had a monopoly on the airwaves.Music writer ROB CHAPMAN returns to the Bureau to tell the story of this first golden age of illicit broadcasting.  We hear of the extraordinary life of pirate-in-chief Ronan O’Rahilly anarchist founder of Radio Caroline, of legendary broadcaster John Peel and his ground breaking show ‘The Perfumed Garden’, and of the oddities of life aboard the radio ships precariously sailing the airwaves.Initially, the stations got round the law because they were broadcasting from international waters to delighted young people across the country before they ran foul of the authorities and were shut down in 1967. But their impact lived on: the government caved into youth demand for pop music with the creation of Radio 1 and many of the pirate radio DJs including Tony Blackburn, Kenny Everett, Johnnie Walker, Emperor Rosko went on to mainstream success with the BBC and commercial stations of the seventies and beyond.For more on Robhttp://www.rob-chapman.com
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London’s Lost World of Yiddisher Jazz

London’s East End and Soho were the centres of a unique musical culture in the years between the 20s and the 50s.
 
Award wining oral historian and radio producer ALAN DEIN returns to the Bureau to tell stories of songs that soundtracked that world and feature on ‘Music is the Most Beautiful Language in the World', the album of super rare tunes by London jewish jazz artists he has unearthed.
 
We hear tales of poverty and glamour, Soho gangsters, ghettos, vaudeville swing, comedy, cuisine and cabaret - and of some of the musicians who escaped the squalid streets of Whitechapel to become international stars. And we discuss what it means to be an oral historian, the power of story and how much radio still matters.For more on Alan’s work
https://www.facebook.com/alan.deinFor Don't Log off
https://www.bbc.co.uk/programmes/b01jxzy9
For the ‘Music is the Most Beautiful Language in the World’ album
https://jwmrecords.bandcamp.com/releases
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