music history

Becoming Black: A 2-Tone Story

"I was never going to be a nice little white girl" she says.
 
Instead, she became an underground star, had hit records with the 2-Tone band The Selector, became a style-icon, an actor, a TV Presenter - and author.
 
Whilst Margaret Thatcher was reshaping Britain and promoting her very own particular vision of what it meant to be British, in the urban jungle of Coventry, a young woman whose image couldn't be more different than Maggie's, was presenting a radically different vision of what it meant to be British 
 
Belinda Magnus, born on 23 October 1953 was given away as the baby of a white unmarried mother and an unknown black father. She was adopted by a white family and re-named Pauline Vickers.  Growing up in a completely white neighbourhood as the only person of colour, she experienced first-hand the often racist attitudes of the time.
 
She came to the Bureau to talk about all that, how she overcame it, her life as a star of the 2-tone musical scene with her band Selecter, and how, along the way, she became Pauline Black 
 
For more on Pauline
 
Image by Dean Chalkley
 
#PaulineBlack
#2ToneRevolution
#BureauOfLostCulture
#SkaPunkHistory
#TheSelecter
#WomenInMusic
#PunkAndPolitics
#CulturalResistance
#BlackBritishVoices
#MusicAsProtest

Burroughs, Bowles and The Tangier Interzone

Tangier was a magnet for artists, writers, musicians, and political exiles throughout the mid-20th century, amongst them the writers Paul Bowles and William Burroughs
 
From 1924 to 1956 the city operated as an international zone under the joint administration of several European powers. This status created an environment of legal ambiguity, which, combined with the city’s strategic location at the crossroads of Africa and Europe, made it a haven for those seeking escape from the constraints of conventional society
 
The zone had  a sense of lawlessness and freedom, attracting a diverse mix of expatriates, spies, smugglers, and avant-garde intellectuals. The city’s permissive attitude towards drugs, homosexuality,and radical political thought made it a particularly alluring destination for members of the counterculture.
 
Composer and writer Paul Bowles, settled there and drew members of the Beat Generation to the city to be inspired, to complete their projects and to live the Moroccan dream. Few lived in human dialogue with the locals, operating rather as economically priveleged colonial bohemians 
 
William Burroughs' time in Tangier in the 1950s deeply influenced his novel Naked Lunch. Burroughs saw the city as a place where the constraints of Western morality could be discarded in favor of a more experimental and uninhibited lifestyle.
 
He christened it THE INTERZONE
 
Although the Tnagier International Zone officially ceased to exist in 1956, its mythos lived on in literature, music, and the enduring image of Tangier as a place where the world’s outsiders could find a home
 
Multimedia artist and curator Abdelaziz Taleb, director of The Arab Media Lab Project has taken a deep dive into the Interzone - both its reality and its myth, exploring the blurred line between the two.  He came to the Bureau to talk about it, the often untold influence of Moroccans on the Beats,  and the mystery of Tangier.
 
For more on Aziz and the Interzone Project and Here
 
#counterculture, #thebeatgeneration, #thebeats, #tangier, #thetangierinternationalzone, #thetangierinterzone, #interzone, #burroughs, #bowles, #williamburroughs, #paulbowles, #heroin, #nakedlunch, #thearabmediaproject, #allenginsberg, #jakckerouac,#mohammedchakri, #bryingyson, #brianjones, #joujouka,#morocco
 
 

The Birth of British Youth Culture

Teddy Boys (and Teddy Girls)emerged in Britain in the early 1950s, becoming the UK's first distinct youth subculture. 
 
Born in the aftermath of World War II, these working-class teenagers rejected post-war austerity and embraced a bold, rebellious style of dandyish suits, long drape jackets, narrow trousers, velvet collars, patterned waistcoats - and of course pomaded quiffed hair for the boys and equally sharp threads for the girls.
 
Musican and writer Max Decharne, author of 'Teddy Boys: Post-War Britain and the First Youth Revolution’, came to the Bureau to talk about the Teddys - and about Mods, Punk, the masssive influence of Bill Haley's Rock Around the Clock and of the impact the working class have had on British fashion.
 
The Teds became notorious in the media - associated with violence, for clashes with rival gangs and for their alleged involvement in the 1958 Notting Hill riots. But was that really the case? Or was it because, as working class upstarts they rattled the middle and upper class establishment?
Embracing American rock'n'roll, they became the foundation for future youth movements, proving that teenagers could form their own cultural identity, shaping Britain’s rock and roll scene and inspiring later subcultures like the Mods and Rockers.
For More on Max 
For his music
For more on the book 
Ken Russell's wonderful images of Teddy Girls
 
#teddy #teddyboys #teddygirls #quiff #rock'n'roll #billhaley #rockaroundtheclock #streetstyle #youthculture 

Spirit, Soul and Rock 'n' Roll - with Mike Scott

The Waterboys' MIKE SCOTT grew up in the '60s in Edinburgh and said: “I accepted the incredible happenings of that decade — with all its rapid evolution, colour, revelations and magic — as the normal order of things".
 
At the age of 4 he had his first mystical experience and remembers that from the minute he bought "Last Night in Soho" by Dave Dee, Dozy, Beaky, Mick & Tich in 1968 he knew he had to live a life in music.In the years since he has toured the world with The Waterboys and as a solo artist, had hit records with The Whole of the Moon, This is the Sea and Fishermans Blues and has released 15 albums.
 
Mike has been unashamedly open about the importance of spirituality in his life - even when that has been deeply unfashionable in the mainstream culture.
 
Now, The Waterboys have a new record about to land. It features Bruce Springsteen, Steve Earle and Fiona Apple and it's a song cycle around the life of legendary actor and countercultural polymath Dennis Hopper.  
Mike came to the Bureau to talk about all of that, his time at the Findhorn Foundation, Life, Death and Dennis Hopper - and much more. 
For Mike and his work, music and adventures
Universal Hall
 
Findhorn Foundation
 
#thewaterboys #mikescott #brucespringsteen #findhorn #findhornfoundation #steveearle #fionaapple #ladbrokegrove #thewholeofthemoon #dennishopper

The Cut Up Life of Genesis P-Orridge

Genesis P-Orridge was a performance artist, neo Pagan, Industrial music innovator, the co-founder of COUM, Throbbing Gristle and Psychic TV and an arch provocateur. He was variously described as a wrecker of civilisation, transgressive and blasphemous, accused of being a Satanist and of sexually abusing his children (a lie - in fact he was a loving father and grandfather), and claimed to be a threat to society. He could be both very alarming and very kind.
In later life Genesis became infamous with attempts to unite as a “pandrogyne”, a single entity, with partner Lady Jaye through the use of extreme surgical body modification intended to make them physically resemble one another
Filmaker David Charles Rodrigues, director of S/HE IS STILL HERE an extraordinary, moving film based around interviews made in the last months of Genesis's life, came to the Bureau to talk about the Cut Up technique, William Burroughs, Bryon Gysin, The Exploding Galaxy, industrial music, the Satanic Panic and much more in the life and death of a deeply countercultural artist.
 
#genesis p-orridge #throbbinggristle #coum #psychictv #thetempleofpsychicyouth #industrialmusic #templeofpsychicyouth #pandrogyne #coseyfannitutti #chrisandcosey #williamburroughs #bryongysin #cutup #thecutuptechnique #ica #censorship #transgressive #satanicpanic #ladyjaye #thexxplodinggalaxy
 
 
 
 

The Strange and Beautiful World of Arthur Russell

When musician ARTHUR RUSSELL died in 1992, at age 40, of complications related to HIV-AIDS, he was an obscure figure — though a legend in the 70s and 80s underground music scenes at downtown New York clubs such as The Loft and Paradise Garage. 
RICHARD KING, author of 'Travels Over Feeling'(Faber) a poignant and evocative visual chronology of Arthur's life and times, came to the the Bureau to tell us about him and why he matters.
Despite his prodigious output, his inability to finish songs, and the genre-busting uniqueness of much of his music, meant that he released only two albums under his own name in his lifetime. But in the decades since his death, a series of posthumous releases have generated a deep love and admiration in many who have been lucky to come across his music.
 
We also get into indie record shop culture, music sobbery, the underground New York club scene of  the mid seventies and ask the question: 'How do you know when, a song, a book or a piece of art is finished?'
Thanks to Dan Papps at Faber, to Steve Knutson of Audika Records and Cat Corrigan of Beggars Banquet who have posthumously released much of Arthur's unpublished work, for permission to include his music.
We also included two selections from Matt Wolf’s film 'Wild Combination: A Portrait of Arthur Russell'
Image by Joel Sokolov/Courtesy of Audika Records
 
#arthurrussell #newyorkclubs #avantagarde #philipglass #audikarecords #richardking #faber #hiv #music
 

Forward the Revolution - with Spiral Tribe

They helped inspire a whole generation of young ravers and lit the fuse for what was to blow up with Technival and Burning Man - as well as more mainstream festivals across Europe and the US - but their (counter)cultural contribution remains largely unacknowledged in their home country.
 
Marc Angelo Harrison, one of the orginal founders of the people’s sound system, techno, free party, DJ collective Spiral Tribe came to the Bureau to tell some of their story - and about his own journey up and down the spiral. His book A Darker Electricty published by uber-cool electronic music publisher Velocity Press is a rollocking, rumbuctious, beautifully written testament to a deeply countercultural spirit and time. 
 
We dive deep into the free party scene of the early 90s and talk squatting, sound systems, Ladbroke Grove, doing things for free, police brutality, the 'new age’ travellers, the tragedy of Castle Morton, ongoing inspiration, community - and the power of bass..
 
A Darker Electricity- Mark's book
A Darker Electricity- The Audio book
Free Party: A Folk History - Aaron Trinder’s wonderful documentary of the last 80s and early 90s free festival scene
 
#festivals #counterculture #freefestivals #spiraltribe #squatparty #travellers #newagetravellers #battleofthebeanfield #hippie #castlemorton #techno #drugs #lsd #soundsystem #raveculture #raves #breakbeat #stonehenge 

The Queer Life of Pop - with Jon Savage

How Queer Culture Shaped Pop Culture
"The 1972 version of David Bowie didn’t spring from nowhere.  Although he refused to affiliate himself explicitly with gay liberation, he had found both artistic and social inspiration in the gay world, in particular the renewed sense of freedom and possibility that rippled through the British gay subculture in the early 1970s."
We finally lured the award-winning, bestselling author, pop-culture, punk penman Jon Savage to the Bureau to talk about his life and epic new book The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979)
It's an electrifying, massively entertaining - and at times, tragic - look at key moments in music history between 1955 and 1979, which helped move gay culture from the margins to the mainstream and changed the face of pop forever – from the ambiguous sexuality of stars such as Little Richard in the 1950s through to David Bowie, glam rock and Sylvester’s ‘You Make Me Feel(Mighty Real)'.
We talked about all that, about Punk, Joy Division, Tony Wilson, Johnny Marr, Factory Records and about how Jon grew up in the London of the late '50s and '60s, how he became a writer during one of the most exciting times for music journalism in the '70s and '80s - and about his own Secret Public Life..
More on the book here
More on the compilation album here
More on Jon here
#homosexuality #sex #london #queer #gayliberation #musichistory #sexuality #gay #tomrobinson #gladtobegay #queerculture #counterculture #punk #comingout #homesexuality #joydivision #theclash #sex #johnnymarr #factoryrecords #johnnymarr #faberandfaber #littlerichard #glf #gayliberationfront #bisexuality #pride #london #queer #gayliberation #lgbtq #sexuality #gay #thesecretpublic #musicpress #gaydisco #jonsavage #thesmiths #bowie

Post-Punk Druidry - with Youth

*"Punk taught us the future had only just begun” he says
*For him that future was to include the bands Killing Joke, The Orb, Brilliant and The KLF; starting various record labels; hit records; producing and remixing a massive range of artists including Paul McCartney, The Verve, Tom Jones, Maria McKee, Kate Bush, Pink Floyd, Guns N' Roses, Primal Scream, Siouxsie and the Banshees, Art of Noise, Crowded House, Erasure, U2, INXS, and the Suns of Arqa- and a Grammy for his recent work with Toots and the Maytalls
 
*But running beneath it all is a deeply countercultural spirit.
 
*Uber-Music producer and druid Youth (Martin Glover)returned to the Bureau to talk about his life and times. We get deep into punk, post-punk, London as 'The City of Revelation', psychgeography, The Sacred Thames, squatting, the South London Arts Lab, druidry, turning Stonehenge off, having an epiphany, burning money, sampling other people's records, the second summer of love, the creative process, drugs - and, of course, counterculture.
 
Check out this playlist of just a selection of Youth's work and music.
 
https://music.apple.com/gb/playlist/youth-martin-glover-productor/pl.u-EzbdIa0z2vl
 
 
#psychogeography #psychedelics #theunconscious #consciousness #thepyramids #yout #counterculture #drug  #lsd #acid #martinglover #theorb #psychedelic #klf #druidry #killingjoke #occult

The Sounds of Black Power

*A time when musicians were viewed as revolutionaries and revolutionaries might be considered pop culture icons
 
*Crate digger / rock critc / reissue producer and archivist extraordinaire Pat Thomas came to the Bureau to tell how black power intersected with counterculture and influenced folk, rock, soul and jazz in the years between 1965 and 1975.
 
*We hear astonishing stories from his book 'Listen, Whitey: The Sights and Sounds of Black Power’ and some amazing sounds from the accompanying album issued by Light in the Attic including tracks by John and Yoko, Dylan, The Watts Prophets and Elaine Brown.
 
*And we learn how the Black Power Movement, and the Black Panthers in particular, moved from militant political action to community activism whilst interacting with the wider counterculture - and, though bad things were done, how many of their adherants used a pencil, a book of poetry, a typewriter or a musical instrument to bring about change beyond violent revolution.
 
#counterculture #rockagainstracism #backpanthers #blackpower #angeladavis #racism #thebeats #oakland #tomothyleary #activism #socialism #revolution #rockrevolution #eldridgecleaver #bobdylan #motown #johnandyoko #thewattsprophets 

The Rise and Fall of the '80s Free Festival

*Who do the green roads and wide open spaces of Albion belong to?
 
*This episode is a story is about a collision of two cultures - the counterculture of the twin tribes of urban free party ravers and new age travellers - and the mainstream culture of landowners, the legal authorities, English Heritage and right-wing politicians.
 
*In the first of a series on '80s and '90s counterculture, Aaron Trinder, director of the documentary 'Free Party: A Folk History' came to the Bureau to tell how that collision played out in the years between 1985 and 1992 when extra-ordinary free festivals and parties built  on youthful passion, music, community, dancing, the desire to connect with the ancient landcape  - and drugs - were violently suppressed.
 
*We hear of the brutal police tactics at 'The Battle of the Beanfield' and at Britiain's largest ever free rave at Castle Morton; how legislation has curtailed the culture of the travellers, the use of common land and ancient rights of access, and we note that whilst free festivals have been crushed, commercial festivals have become an essential part of the the mainstream culture, the entertainment industry and the economy.
 
*Upcoming: Mark Angelo Harrison on Spiral Tribe
 
More on Aaron's film 'Free Party a Folk History' 
 
#festivals #counterculture #freefestivals #spiraltribe #squatparty #travellers #newagetravellers #battleofthebeanfield #hippie #castlemorton #techno #drugs #lsd #soundsystem #raveculture #raves #StonehengeFreeFestival #stonehenge
 

Liberation Part 2: Glad to be Gay

Being the further adventures of English musician broadcaster and LGTBQ activist TOM ROBINSON, as he gets deeply involved in the gay counterculture of London in the '70s whilst on his journey to having a huge hit with the song 2-4-6-8 MotorwayWe hear about the genesis of another hit - (Sing if You're)Glad to Be Gay - a remarkable, unprecedented protest song that climbed into public consciousness in the late 70s (despite the best efforts of some in the establshment), and about Tom's later hit War Baby.
We talk about the desperate times in between, about his activism - not only for the queer commmuity but as part of the Rock Against Racism movement - and how he had to face one his greatest challenges in coming out for a second time, risking the disapproval of the very community he had fought for for many years…
 
And we learn about Stonewall, the UK’s ’Sus Law' and get some terriffic tips for songwriters aspiring stars..
 
For More on Tom
For More on Glad to Be Gay
#homosexuality #sex #suslaw #section28 #stonewall #glf #gayliberationfront #bisexuality #pride #pridemarch  #london #queer #gayliberation #quaker #sexuality #gay #tomrobinson #gladtobegay #suicide #counterculture #cafesociety #comingout #homesexuality #morality 

Liberation Part 1: Coming out in the Counterculture

TOM ROBINSON is an English songwriter who rose to fame in the 70s as an LGBT and anti-racist campaigner.  He has released over 20 albums and is an award-winning much-loved broadcaster who has made many programs on all six BBC radio channels.
 
In this, the first of two programs, we trace his story from troubled youth through a suicide attempt and recovery in an alternative community to coming out in the gay counterculture of '70s London.
 
We hear about his early activism and music, signing to Konk records with Ray Davies of The Kinks and his journey toward a huge hit with the song 2-4-6-8 Motorway.
 
Next time: the writing of the extraordinary, perennial protest song Glad To Be Gay, more activism, more hits with War Baby and Listen to the Radio and taking further risks on the way to becoming who you really are.
 
Tom's first band Cafe Society
For More on Tom
#homosexuality #sex #london #queer #gayliberation #quaker #sexuality #gay #tomrobinson #gladtobegay #suicide #counterculture #cafesociety #comingout #homesexuality #morality 

The Beat Goes On: The Sounds of Allen Ginsberg

YOUTH, producer of a huge range of artists (including Kate Bush, Crowded House, The Orb, KLF, The Verve, Guns ’n’ Roses and Primal Scream) and Jesse Goodman of the Allen Ginsberg Estate come to the Bureau to talk of the beat poet’s impact on music and the British counterculture.
 
We hear about Youth's 'Iron Horse' project and two albums of interpretations of Ginsberg's Fall of America poems by an astounding range of artists and we get deep into counterculture, the power of poetry, creativity and the possibility of a third summer of love..
--
Youth and Jesse will be with us in  March, when we are presenting a program of happenings to celebrate Ginsberg's London Life.  
See the EVENTS page for full details.
--
In May 1965, Allen  arrived in London and gave a free reading at Better Books in Charing Cross Road. It was an event described by poet-provocateur Jeff Nuttall as "the first healing wind on a very parched collective mind” and one that provided the impetus for the International Poetry Incarnation at Royal Albert Hall, a hugely significant catalyst for the first British Summer of Love.
Music featured prominently in Ginsberg’s work - both in his self-accompanied performances and live collaborations with artists including Dylan, Paul McCartney and Patti Smith - and in the inspiration it has had on the wide range of musicians who have set it to music.
Ginsberg In London Events 
Youth’s Iron Horse Album
Youth at The Horse Hospital March 15th
The Fall of America albums  Volume 1 and Volume 2
Images courtesy of the John Hopkins Estate
 

London's Lost Street of Song

Britain’s own Tin Pan Alley, Denmark Street was once alive with the sound of hammered pianos, and sung melodies and choruses. Its songwriters knocked out tunes on the fly and rushed to the street to sell them to pay for the next round of drinks.In the '60s, The Beatles, The Rolling Stones and The Kinks came here, so did Donovan and Jimmy Page, Eric Clapton and Elton John, Jimi Hendrix and Jeff Beck. A popular rendezvous was La Gioconda, an Italian cafe which most visited at some point or other – David Bowie was said to practically live there.Later when Malcolm McLaren was looking for a rehearsal space for The Sex Pistols, he was delighted to find room in Denmark Street, installing his upstarts in the heart of the traditional music industry - like Greek soldiers inside the Trojan Horse. 
 
Journalist Pete Watts returns to The Bureau to tell us tales of this lost street of dreams  - and at least of one nightmare.
 
Pete's wonderful book on Denmark Street is HERE
 
 
#hipgnosis #pink floyd #london #pop music #london #musichistory #counterculture #soho #musicpublishing #music  #1960s #jimihendrix #thesexpistols #davidbowie #the kinks #the beatles #DenmarkStreet #tinpanalley

The Incredible String Band Part 2: Inside Looking Out

*In this, the second of a two parter, we hear more of the crazy countercultural life and times of The Incredible String Band  - from the inside looking out  - with Rose Simpson
 
*Rose was one quarter of the band during what many regard as their creative and countercultural peak in the late 60s and early 70s.
 
•Her memoir 'Muse, Odalisque, Handmaiden' is an incredible story, relating how she rocketed (as a student without any particular interest in music or the counterculture), via an accidental meeting in a Scottish mountain cottage, to photoshoots in American Vogue and playing at Woodstock - and then came all the way back again.
 
*It's a fascinating tale, not just because the ISB were fascinating in themselves, but because it is beautifully told with a wealth of detail about a time that is usually dominated by mens' voices.
 
•She had many psychedelic adventures along the way, narrowly escaped getting involved in Scientology and then - and then left it all behind.
 
*And she knows where the sitars are buried...
 
*We dived into drugs, communal life, the ups and downs of free love, the catastrophe of the cult, making it up as you go along, the mysterious life and disappearance of Rose's bandmate Licorice, going full on and far out.
 
*Rose's memoir 'Muse, Odalisque, Handmaiden' (published by Strange Attractor) 
 
*Adrian Whittaker's compilation book Be Glad for the Song Has No Ending 
 
*Thanks to Peter Neal for the audio clips from his film Be Glad for the Song has No Ending
 
 
 
#tripping #psychedelics #london #consciousness #scotland #scottishcounterculture #counterculture #drug  #lsd #music  #joeboyd #1960s #scientology #rosesimpson #incrediblestringband #begladforthesonghasnoending #woodstock #stephenduffy #hippie
 

The Incredible String Band - Part 1: Outside Looking In

They were artists, myth makers, story tellers, tribe leaders, psychedelic troubadours; they pioneered "world music” with albums like The Hangman’s Beautiful Daughter; they experimented with theater, drugs, film and lifestyle and inspired The Beatles, The Stones, Led Zeppelin, The Pet Shop's Neil Tennant, The Lilac Time and many, many others.
 
They lived the hippie dream of communes and free love, dressed like mediaeval princes and princesses, were the very essence of the Scottish counterculture, played Woodstock, became cult stars, were acid evengeleists; gathered a following, a tribe that stayed loyal to them long after they had gone..
In this, the first of a two parter, Adrian Whittaker who compiled the epic new book Be Glad for the Song Has No Ending and Peter Neal who made the film Be Glad for the Song has No Ending back in 1970, take us on a trip through the crazy countercultural life and times of The Incredible String Band. 
 
Thanks to Peter for the audio clips from his film Be Glad for the Song has No Ending 
 
#tripping #psychedelics #london #consciousness #scotland #scottishcounterculture #counterculture #drug  #lsd #music  #joeboyd #1960s #scientology #thelilactime #incrediblestringband #begladforthesonghasnoending #woodstock #stephenduffy #hippie
 

In the ’60s: The Birth of the British Underground

He was friends with Burroughs and Ginsberg, wrote their biographies along with those of The Beatles, Paul McCartney, Frank Zappa, Charles Bukowski, Jack Kereouc and penned books on The Beat Hotel, Pink Floyd, The Stones - amongst about 70 others.
 
Barry Miles (known just as Miles) came back to the Bureau to tell us all about it.
 
We hear how he set up Indica Gallery where Lennon met Yoko, started International Times - the bible of the underground - was instrumental in the UFO club and the 14 Hour Technicolour Dream and jow his wife Sue gave Paul McCartney his first hash brownie - and that was just the sixties. 
 
We will do the seventies next time..
 
 
#tripping #psychedelics #london #consciousness #beathotel #thebeats #counterculture #drug  #lsd #memory  #pinkfloyd  #1960s #barrymiles #indica #lennon #mccartney #ginsberg #burroughs #betterbooks
 

Remembering the Crazy Diamond

•Cult icon, enigma, recluse, crazy diamond, he was the founding member of one of the world’s most  famous and succesful rock groups, but the life of Syd Barrett is full of unanswered questions.
 
•Was he a drug casualty of the sixties? Did he walk away from the pressures of the commercial music world? Did he suffer from an undiagnosed mental illness, did his muse abandon him? Was it a combination of these - or was it something more mysterious, something we can never really understand?
 
•'Have You Got It Yet?’, an extraordinary new film about Syd, pieces together his comet-like rise to pop stardom, his creative and destructive impulses, breakdown, his exit from Pink Floyd and his subsequent life alone, all set against the social context of the psychedelic swinging sixties. It is built around interviews with Syd’s friends, lovers, family and former band mates Roger Waters, David Gilmour, and Nick Mason. It is, as much as a tribute, a film about memory, friendship, lost youth, regret and the enduring power of music.
 
•Roddy Bogawa, the award winning co-director of the film and a crazy diamond in his own right, came to the Bureau to talk about 'Have You Got It Yet?’ - and to try to answer some of the questions about Syd. 
 
•And along the way, we dig deep into London in the '60s, LA in the '70s, punk, underground films - and of course, counterculture.
 
•For more details on the film Have You Got It Yet
•For more about Roddy
*Join our cult
 
Thanks, as ever, to Jenny Spires for connecting us with Roddy.
 
 
#tripping #psychedelics #theunconscious #consciousness #truth #madness #counterculture #drug  #lsd #memorey  #pinkfloyd  #sydbarrett #haveyougotityet? #crazydiamond #darksideofthemoon #wishyouwerehere #shineonyoucrazydiamond #ufoclub #madcap 

Songs of War and Peace - with Boris Grebenshikov

*He is perhaps the biggest name in Russian rock music, famous as the leader of the band Aquarium throughout his homeland and 'Outer Russia’ (as the huge and growing number of Russian emigres are called), but he is now listed as a “foreign agent” - basically an anti-patriot, a traitor, for criticising Russia’s war
*Aquarium were pioneers of the clandestine homegrown rock scene that was born in early '70s USSR before emerging from the underground to become the pied pipers of perestroika, selling millions of albums (but usually getting paid nothing).*After a long and illustrous career, Boris Grebenshikov now lives in London and in response to the conflict has put together an extraordinary compilation aiming to help children in Ukraine - and for the friends and fans he has had to leave behind.
 
*The album features a star-studded ensemble including Dave Stewart of The Eurythmics, Jethro Tull, Marianne Faithful, Marc Almond, The Waterboys, Jackson Brown, Crowded House and many others. *We talk of the USSR in the 60s, cultural censorship,the power of music, the KGB arresting your friends, being back on the outside yet again - and we hear selections from the 'Heal the Sky’ album.
 
Thanks to Alex Kan for making this happen.
 
*For more details and to support the project: Heal The Sky
*Let us know where you are at (a few questions about you)
*Get Our Bulletin
 
#counterculture #music #ussr #soho #aquarium #ukraine #russia #war #borisgrebenshikov #perestroika #coldwar #russinemeigre #russianrock
 

Riding The Oblivion Express - with Brian Auger

•He’s played with Jimi Hendrix, Sonny Boy Williamson, Paul McCartney, Rod Stewart, Jimmy Page, Billy Cobham, Spencer Davies, Long John Baldry, Rod Stewart, John McLaughlin, Tom Jones, Eric Burdon and many, many more.•With Julie Driscoll he had a huge hit with a masterful psychedelic rendition of Dylan's "This Wheel's on Fire” 
 
•He's been hailed as the godfather of acid jazz, sampled by hip hop stars and nominated for a Grammy Award.
 
•At 82, BRIAN AUGER is still moving, grooving, sharp as a pin - and 'beginning again' as he says.
 
•We hear his extraordinary story and of the sign posts pointing the way on his musical journey - from the London Blitz - through the Soho jazz clubs of the 60s - to Venice Beach.
 
•Thanks to Greg Boroman and Karma Augur for making this happen.
 
*For More on Brian 
 
* For more on the Auger Incorporated Archive release
 
*Let us know where you are at(a few questions about you)
*Get Our Bulletin
 
#counterculture #music #hammondorgan #soho #sohoclubs #soho #sohohistory #londonhistory #juliedriscoll #brianauger #hendrix #6oslondon #acidjazz

The Music of the Cults

*Their number encompasses the darkest bogeymen of countercultural nightmares- including Charles Manson, Jim Jones, David Koresh and the Reverend Moon -as well as saintly figures devoted to the good of others; outright charlatans, narcissistic psychopaths, deluded New Age prophets as well as genuine gurus.*Since the 1950s, certain charismatic individuals have taken it upon themselves to collect others around them in ‘cults’, rejecting mainstream religion and society in favour of a claim to secret knowledge of the path of liberation. The consequences have often been disastrous, involving the devotees actually getting liberated from their money, freedom - and sometimes, their lives.
 
*Artist and archivist MICAH MOSES has spent twenty years not only studying cults, new religious movements and individuals of a spiritually inspired nature, but broadcasting their soundtracks to a wider world.
 
*Micah came to the Bureau ahead of his ‘GODBODY' exhibition around the theme of the New Age showing in London at The Horse Hospital in September 2023.
 
*This episode of the Bureau contains a selection of strange, esoteric and sometimes sinister sounds from the vast archive he has gathered over the years. 
 
*For more on Micah’s WFMU Music of Mind Control radio show
*For the GODBODY exhibition
*Join our cult
#counterculture #cults #cultleaders #newage #thenewage #secretsocieties #jimjones #jonestown #marshallapplewhite #heavensgate #thechildrenofgod #manson #charlesmanson #davidberg  #scientology #guru #godbody #thehorsehospital

Rock, Radicals and Racism

*Roger Huddle is a born and bred Londoner, a working class music-mad mod who grew up in the 50s, got radicalised in the 60s and became a co-founder of one the most successful activist groups of the 70s - Rock Against Racism (RAR).
 
*RAR was a political and cultural movement which emerged in 1976 in reaction to a rise in racist attacks on the streets of the United Kingdom and increasing support for the far-right National Front at the ballot box.
 
•Between 1976 and 1982 RAR activists organised national carnivals and tours, as well as local gigs and clubs throughout the country bringing together black and white fans in their common love of music.
 
*The musicians came from all pop music genres including some of the UK's biggest post-punk and Reggae artists including The Clash, Misty in Roots, Elvis Costello and X-Ray Spex.
 
*Roger came into the Bureau to tell us all about it  and to school us in the London club scene of the 60s, radical socialism, agit prop, agit-pop, cultural revolution - and William Morris.
 
•For  more on Roger: 
•For more on RAR and Syd Shelton check out the film White Riot 
•Image courtesy: John Sturrock
 
#counterculture #rockagainstracism #rogerhuddle #sydshelton #thenationalfront #racism #thebeats #london #walthamstow #williammorris #socialism #revolution #rockrevolution #theclash #agitprop #trotsky

The ’4000 Year Old Rock ’n’ Roll Band’

*In a remote village in the Ahl Srif tribal area of Northern Morocco, dwell a collective of Sufi musicians. They play a form of trance music which is used for healing.  Timothy Leary called them The 4,000-year-old Rock’N’Roll band - rather superficial hyperbole perhaps - though it is true that what The Master Musicians of Joujouka play is thousands of years old - and shares something in common with the wildest and most inspired of  rock music.
 
Record producer, film-maker and Beat historian Frank Rynne, who co-organises their annual festival,  came to the Bureau to tell the strange and wonderful story of the musicians of Joujouka, their culture and their interaction with the counterculture of the 50s and 60s
 
We hear about Tangier at the time - and the life there of Beat artists Bryon Gysin and William Burroughs with digressions into the dark side of bohemia - along with the story of doomed Rolling Stone Brian Jones who came to record the Master Musicians shortly before his death.
 
For more on the Master Musicians of Jojouka
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#joujouka #counterculture #themastermusiciansofjoujouka #sufi #brianjones #psychedelicsound #psychedelicrock #williamburroughs #briongyson #rollingstones  #beatgeneration #thebeats

The Life and Psychedelic Times of the 13th Floor Elevators

*They were psychedelic outlaws holing up in hill country hideouts to escape police harassment, dealing drugs to survive and blasting out a mix of LSD evangelism, mystical philosophy and grooved up rock’n’roll.
 
*In their short existence, The 13th Floor Elevators succeeded in blowing the lid off the musical underground, logging early salvos in the countercultural struggle against state authorities, and turning their deeply hallucinatory take on jug-band garage rock into a new American institution called psychedelic music. 
 
*Paul Drummond author of 'Eye Mind - the Saga of Roky Erickson and the 13th Floor Elevators’ deemed the band significant enough to spend eight years of his life researching and writing about them - along with producing the definitve compilations of their work.
 
*We dig into their craziness - and into Janis Joplin, LSD, peyote, Antonin Artaud, mayhem, madness, music and more.
 
For More on Paul and his work
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#13thfloorelevators #counterculture #the13thfloorelevators #lsd #acid #psychedelicsound #psychedelicrock #occult #psychedelic #peyote  #rokyerickson #esoteric 

Moss Side Story - with Barry Adamson

He was a member of some of the most influential post punk bands: Magazine, The Birthday Party and The Bad Seeds. He's collaborated with a whole range of artists including Nick Cave, Iggy Pop, Diamanda Galas, David Lynch, Jarvis Cocker, Atticus Ross and Depeche Mode. He's written film scores, made films himself, made many solo records and recently published an extraordinary memoir of youth:  'Up Above the City and Down Beneath the Stars.’
 
The Jazz Devil Barry Adamson came to the Bureau to talk about his life and times - and about bones, about being an outsider, about Manchester in the 70s, about Punk, luck, trouble  - and about heroin addiction. 
 
And we discuss the alchemical process of turning darkness into artness and signposts and signal moments along the way.
 
For more on Barry 
http://www.barryadamson.com
 
Join us at the Bureau of Lost Culture
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All shows
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#manchester #barryadamson #magazine #thebirthdayparty #thebadseeds #nickcave #howarddevoto #theclash #punk #postpunk #heroin #davidlynch #jazzdevil #nickcave #johnnymarr

The Lost World of Cambodian Rock ’n’ Roll

*In the swinging 1960s, after nearly a century of colonisation, Cambodia was ready to rock. Young musicians from the countryside flocked to the vibrant cosmopolitan capital city of Phnom Penh. The city was a melting pot of sound: old fashioned rock’n’roll, early heavy metal, crooners and swooners and love duets. 
 
*Then on 17th April 1975, the music stopped.
the Khmer Rouge captured Phnom Penh and began a genocide. Around 90% of the musicians died in the killing fields.
 
*DEE PEYOK joins us to talk about 'Away From Beloved Lover'(Granta), her extraordinary book detailing the lost world of amazing music that flourished between 1955 and 1970 in Cambodia.  
*And we hear of Dee’s own journey - an extraordinary odyssey into the heart of darkness -  and light -  in search of this lost world.
For more on Away From Beloved Lover: https://granta.com/products/away-from-beloved-lover/
For The Bureau of Lost Culture: www.bureauoflostculture.com
#Cambodia #KhmerRouge, #Sinsisamouth, #DeePayok, #PhnomPenh, #killingfields, #surfrock, #censorship, #Cambodiarocks, #Vietcong,  #genocide #vietnamwar
 

Flashing On the Sixties: Part 1

*Dylan, The Velvet Underground, Janis Joplin, The Beatles,  Otis Redding, Nico, Peter Fonda, Denis Hopper, Timothy Leary, Ram Dass, Allen Ginsberg and many, many more  - Lisa Law's images are extraordinary. But then her story is extraordinary.
 
*On Christmas eve, Lisa sat in her home in Yelapa, Mexico and recounted some of her countercultural life and times in this, the first of two episodes that provide an unparalleled glimpse into the music scenes of the 60s and 70s and California's blossoming counterculture.
 
*We hear about the American folk revival ,beatniks, bohemians, Mexican shamans and the weird and wonderful world of hippy communes in New Mexico, some of the many moments that she lived, witnessed, and recorded on the frontier of society on the brink of cultural change.
 
*For more on Lisa's life, images, book and documentary: www.flashingonthesixties.com/
*For more on the Bureau of Lost Culture: www.bureauoflostculture.com
 
Images copyright Lisa Law
 
#Dylan, #TheVelvetUnderground, #JanisJoplin, #TheBeatles,  #OtisRedding, #PeterFonda, #DenisHopper, #TimothyLeary, #RamDass, #AllenGinsberg, KenKesey, thehogfarm, themerrypranksters, #wavygravy, #peter,paulandmary #haightashbury, #hippies, #psychedelicmushrooms, #lisalaw
 
 

La Rocka! The Life and Looks of Lloyd Johnson

*Starting in 1966, LLOYD JOHNSON not only sold clothes to a multitude of street smart, cool kids, but contributed to the very look of rock ’n' roll fashion. In the decades since, he has helped style Keith Richards, Bob Dylan, Jack Nicholson, David Bailey, The Clash, Iggy Pop, Tom Waits, Barry Adamson, Johnny Marr, Nick Cave,The Stray Cats and The Pretenders.*On top of that, his designs have appeared on many record sleeves including albums by Rod Stewart and Madness, in videos like George Michael’s" Faith”, in the films Quadrophenia and Jim Jarmusch's Down by Law and Mystery Train, and as stage costumes for David Bowie.
*The Face said he is one of the crucial figures in the development of British style. 
He just says: 'I created what I saw as stage-wear for the street.*Lloyd came into the Bureau to share some of his stories.  And we hear about growing up in Hastings, Kensington Market, the Kings Road, Mods vs Rockers, Fred Astaire, Freddy Mercury, model aeroplanes and much, more from a life lived in clothes for over 50 years.
 
*Thanks to Roger Burton for the intro
 
*Image: Lloyd outside Johnson The Modern Outfitters 1975 (sourced by Paul Gorman for the show he curated at Chelsea Space in 2012 https://www.chelseaspace.org/archive/johnson-pr.html)
 
*Join us to get our newsletter and hear more tales from the underground, the counterculture and the upside down.
 
www.bureauoflostculture.com
#RodStewart #Madness #GeorgeMichael #Quadrophenia #JimJarmusch #DavidBowie #KeithRichards #BobDylan #JackNicholson #DavidBailey #TheClash #IggyPop #TomWaits #JohnnyMarr #NickCave #TheStrayCats #barryadamson #ThePretenders #lloydjohnson #larocka

Roentgenizdat - The Hidden History of Bone Music

*During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own extraordinary discs of forbidden jazz, rock ‘n’ roll, and Russian music, cut onto used hospital x-ray film. 
 
*Today’s special guest is, er… me, Stephen Coates
 
*My new book BONE MUSIC details how the x-ray bootleggers worked, and reveals for the first time, the hidden history of their archivist precursors in Budapest. Who were they? Why did they do it and how was this Roentgenizdat (private pressing on xray) even possible? 
 
*Cultural Commentator TRAVIS ELBOROUGH returns to the Bureau and we swap seats so that he can run the show 
 
*We dig deep into the culture of the Soviet X-Ray Underground, the character of the bootleggers, cold war culture, cultural repression and ask if Bone Music has anything to say about current censorship in Russia.
 
*For More on BONE MUSIC the book: https://www.x-rayaudio.com/bonemusicbook
*The Bureau of Lost Culture: https://www.bureauoflostculture.com
 
#bonemusic #x-rayaudio #xrayaudio #sovietunion #coldwar #forbiddenculture #roentgenizdat #bonerecords #rockonribs #

Punk, Porn and Performance

She worked as a go-go dancer, stripper and glamour model. She's been a performance artist of masochistic tangos and twisted mambos, a ballroom dance teacher, a street arts choreographer and a punk-rock drummer. She worked with Throbbing Gristle, Genesis P Orridge, Monte Cazzaza, and Derek Jarman.
 *And she was there at the formation of Adam and the Ants and the Monochrome Set.
 
*Dorothy Max Prior joins us to talk about her wonderful book '69 Exhibition Road Twelve True-Life Tales from the Fag End of Punk, Porn & Performance’ published by Strange Attractor Press.*We hear about gay London in the 70s,  the derelict city, bedsit land, fetish wear, rubber miniskirts, Westwood and Mclaren, The Sex Pistols, The Clash, The Roxy, The Monochrome Set, her own band Rema Rema and of course Stuart Leslie Goddard, better known as Adam Ant..
 
*For more on Max’s book:  http://strangeattractor.co.uk/shoppe/69-exhibition-road/
The Bureau of Lost Culture: https://www.bureauoflostculture.com
 
#counterculture #punk #thesexpistols #theclash #remarema #theroxyclub #dorothymaxprior #adamant #adamandtheants #themonochromeset #london

Tripping the Light Fantastic

*You couldn’t turn up at at any self respecting psychedelic hangout, countercultural club, happening, be-in or even disco in the late sixties and seventies without being immersed in the cosmic cloud of swirling dreamy liquid images, shapes and colours of the light shows illuminating and enhancing the music.
 
*Our counterculural companion in arms, Kevin Foakes, DJ Food, turntablist, graphic designer-par-excellence -  and now author - returns to the Bureau to talk about his wonderful new book 'Wheels of Light’, published by Four Corners Books - a visual voyage through the history of British light show from 1970 to 1990,  and a gorgeous multi-coloured sensory experience in itself, bursting with amazing images and art.
 
*If we took a trip in a time machine we might find them a little primitive given the multi media hi-tech laser extravaganzas we've got used to, but back in the days of love, the psychedelic light shows were genuinely revolutionary, mind bending, consciousness enhancing and state altering - particularly if augmented by a large dose of LSD.
 
*We hear about lighting up the UFO club, Pink Floyd and Soft Machine and we are joined by Neil Rice, co-founder of Optikinetics, one of the main suppliers of the projectors and gizmos that created the psychedelic light shows of the 60s and 70s - and by Jennie Caldwell, practicing light jockey for many bands in the subsequent summers of love of the 80s and 90s, including those cosmic warriors on the edge of time, Hawkwind.
 
*For More on Kev / DJ Food:  https://www.djfood.org
*For Kev’s 'Wheels of Light’ book: https://www.fourcornersbooks.co.uk/books/wheels-of-light/
*The Bureau of Lost Culture: https://www.bureauoflostculture.com
#lightshow #hawkwind #pinkfloyd #sydbarret #UFOclub #softmachine #psychedelic #lsd #ravescene #summeroflove #tripping
 

The Last of the Merry Pranksters

*In the summer of 1964, a very strange vehicle was seen making its way across America. it was a school bus covered in psychedelic colours, driven by NEAL CASSADY, a beat generation character made famous in JACK KEROUAC'S beat generation classic On the Road and piloted by KEN KESEY, the best selling author of One Flew Over the Cuckoo’s Nest.
 
*The bus contained a raggle-taggle crew of crazy psychonauts calling themselves The Merry pranksters allegedly dispensing LSD in orange kool aid to all and sundry in attempt to turn on America.
 
*In this episode, we leave Soho to travel to the far west of the USA, to a farm in Oregon to meet KEN BABBS the last of The Merry Pranksters.
 
*We talk of all sorts of things - Ken Kesey, the Magic Trip and the Acid Tests of course, plus Kerouac, Ginsberg, Viet Nam, Timothy Leary, spontaneity, the good life and dreams.*And at the end we hear some very positive news about a question that I suspect is troubling many of us
 
*For The Bureau of Lost Culture https://www.bureauoflostculture.com 
 
#bureauoflostculture #kenkesey #kenbabbs #tarot #themerrypranksters #kerouac #ginsberg #themagicbus #lsd  #acid #tomwolfe #counterculture #psychedelic #thegratefuldead #acidtests #nealcassady #beatgeneration 
 
 

Smells Like Teen Spirit

*"Teenage savages go wild in a jungle of lust and lawlessness!"
 
*Countercultural commentator and writer JOHN HIGGS comes to the Bureau. We head out into the feverish febrile pheromone filled phase of self consciousness, sex drugs and rock’n’roll known as adolescence as we investigate the birth of the teenage in the late 40s and 50s.  
 
*Was it all really kicked off by Little Richard’s Tutti Frutti?    
 
*We chart the rise of youth culture on both sides of the Iron Curtain and debate that while ‘all you need is love’, ‘you can’t always get what you want’ as we trace counterculture through beats, mods, hippies, punks, ravers, grunge and britpop, touch down briefly on gender politics and the death of Kurt Cobain and wonder if 70 will one day be the new seventeen.
 
For more on John https://johnhiggs.com
 
The Bureau of Lost Culture https://www.bureauoflostculture.com
#counterculture #littlerichard #teenage #rockandroll #kurtcobain #beatles #rollingstones #hippie 

The Low Down LA Life of Tom Waits

*Musician and actor TOM WAITS is one of the great countercultural artists of our time, His '70s albums documented low life America in an LA that no longer exists
 
*Filmmaker Alex Harvey, author of 'Song Noir: Tom Waits and the Spirit of Los Angeles’ comes to the Bureau to tell how Waits mined a rich seam of the city’s low-life locations and characters, letting the place feed his dark imagination.
 
*We hear how Tom blended real life with the mythic, turning autobiographical details into songs that were both romantic and disturbing -  and created a vision of LA as the warped, narcotic heart of his nocturnal explorations.
 
*For more on Alex http://alexanderharvey.org/
*For Song Noir: http://www.reaktionbooks.co.uk/display.asp?ISB=9781789146639
*For more on Tom Waits: http://www.tomwaits.com/
*For The Bureau of Lost Culture https://www.bureauoflostculture.com 
#counterculture #tomwaits #rickieleejones  #thetropicana #LA #kathleenbrenan 

The Birth of the Asian Underground

*DJ and broadcaster BOBBY FRICTION drops by the Bureau to tell the tale of how, in the early 90s, a bunch of British kids from immigrant families ripped it up, mixing their traditional musical roots with drum and bass, electronic beats and urban sounds to form a new countercultural genre all their own - the Asian Underground.
 
*We hear how the scene was a kind of counterpart to the way Western counterculture adapted and was inspired by Eastern mysticism and culture.
 
*It's a rollicking personal tale by Bobby who was there at the beginning and who has been championing the scene ever since, soundtracked by some choice musical cuts.
 
We dig deep into all sorts of other stuff too: growing up in 70s London, racism on the city streets, Bhangra, 'ghazals', ABBA, Prince,  daytime gigs, Sikh culture. radical politics, why 'Black' was cool but 'Asian' was apparently not in London club culture.
 
*And Bobby makes a plea for the British to realise the vision of becoming one people celebrating their diversity rather than splitting back into tribes.
 
*For more on Bobby: https://www.bbc.co.uk/programmes/b01rydpz
*For London Month of the Dead: https://www.londonmonthofthedead.com
*For Continental Drifts: https://www.continentalDrifts.co.uk
*The Bureau of Lost Culture: https://www.bureauoflostculture.com

Alan Moore on Counterculture

*He is widely recognised as one of the best comic book writers in the English language with works like From Hell, Watchmen, V for Vendetta, Killing Joke, The League of Extraordinary Gentlemen and Swamp Thing. He's the author of modern literary classics, including Jerusalem, a 1,266-page experimental epic novel, that have led to his legendary status and critical acclaim.*He is also an occultist, a ceremonial magician and an anarchist.
 
*ALAN MOORE beamed into the Bureau for a conversation about counterculture - in his own life and work, in the past, the present and in the future.
 
*We also dig deep into the 60s, the 70s, Thatcherism, Britpop, the power of The Arts Lab, why he doesn’t watch the adaptations of his work, the power of limitations to foster creativity and much  more.
 
*Alan’s storytelling course on BBC Maestro: 
LONDON MONTH OF THE DEAD
THE REAL TUESDAY WELD
 
Join us and support our wild endeavours 
 
#alanmoore #michaelmoorcock #counterculture #artslab #london #malcolmmclaren 

Women, Sex, Counterculture

The Sexual Revolution? Yes. Liberation? Maybe. Penis Envy? NO!
 
*Youth culture in the sixties was progressive in so many ways but when it came to the relations between the sexes, it was perhaps much more traditional than it liked to admit.
 
*Sleeping around, Syd Barret, Pink Floyd, Groupies, Frigidity, the Pill, abortion, Oz magazine and of course The Female Eunuch make their appearance as we dig deep into what it was like growing up as a young woman in the underground scene of swinging sixties London.
 
*Author Jill Drower, once a member of The Exploding Galaxy experimental dance commune returns to the Bureau along with beat traveller, model and singer Jenny Spires as we ask if the story of counterculture has largely been one told by men about men.
 
*For Jill's book: The Exploding Galaxy: Performance Art, LSD and Bent Coppers in the Sixties Counterculture’ 
 
*Sign up for The Bureau Newsletter: https://lp.constantcontactpages.com/su/N0ZYoFu/BOLC 
#SydBarrett #Pink Floyd #Groupies #Frigidity #abortion #Ozmagazine #TheFemaleEunuch #germainegreer #jennyspires #theexplodinggalaxy

On the Road ... with Johnny Marr

* From Colin Wilson to Tony Wilson, Patti Smith to Mark E Smith, what was it like coming of age in the counterculture of Manchester in the 60s, 70s and 80s?
 
* Johnny Marr has just released his latest record and his band's on tour with Blondie. He's worked with Billie Eilish on the Academy award winning theme for the Bond blockbuster No Time to Die and with all sorts of other artists including Hans Zimmer, Modest Mouse, The The and The Pretenders.
 
* He’s had chart hits with Electronic, and, oh yeah, he co-piloted one of the best loved and influential British bands of all time - The Smiths.
 
* We don’t really talk about that - but we do dig deep into archetypal psychology, northern peak experience, clothes, records, books, youth culture and reading the road signs along the way to your destiny..
 
* Image credit: Andy Cotterill
 
* For More on Johnny: https://johnnymarr.com
 
* The Bureau Home https://www.bureauoflostculture.com
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* The Bureau Newsletter  https://lp.constantcontactpages.com/su/N0ZYoFu/BOLC 

The Life and Times of Dubmeister Dennis Bovell

* He stepped off a plane from Barbados onto a wet and windy runway at Heathrow airport in 1965 aged 12.
* Now he’s a DJ, multi-instrumentalist and producer of hundreds of records spanning reggae, lovers rock, soul, dub, punk and pop.  
 
* Dennis Bovell's life in music is populated by a countercultural cornucopia of artists as wide ranging as Linton Kwesi Johnson, The Slits, Madness, Bananarama, the Pop Group, Fela Kuti, Orange Juice, Marvin Gaye, Ryuichi Sakamoto, Dexy’s Midnight Runners and most recently, Radiohead, The Animal Collective and Spoon.* He's even got an MBE.* We dig into all that - or as much as we can - plus Hendrix, sound systems, cutting dub plates, sound clashes with Lee Scratch Perry, police harrasment, wrongful imprisonment and the youthful joys of eating breadfruit on the beach.
* For More on Dennis https://en.wikipedia.org/wiki/Dennis_Bovell
 
* The Bureau Home https://www.bureauoflostculture.com
* The Bureau Instagram https://www.instagram.com/bureauoflostculture/
* The Bureau Newsletter  https://lp.constantcontactpages.com/su/N0ZYoFu/BOLC 

The Exploding Galaxy

* In 1967 and and 1968, an ordinary north London house contained an Exploding Galaxy - a psychedelic commune and carnival of theatrical performers, artists and performance poets bent on transforming the city through spontaneous happenings, countercultural interventions and street activism..
 
* One of them was only 15 years old. Now all grown up, JILL DROWER comes to the Bureau to talk about her time at 99 Balls Pond Road as a Galaxy member - how the whole crazy endeavour came about - and how it exploded into and out of existence
 
Alson the way we visit The UFO club, The 14 Hour Technicolour Dream, hear about  ‘scrudging’ , bent coppers intent on busting hippies for being hippies and the lost dream of peace, love and understanding that once might have changed everything.
 
 
* For More on The Exploding Galaxy http://www.djfood.org/category/bureau-of-lost-culture/
 
 
* For Kev's amazing psychedelic DJ FOOD archive https://djfood/org
 
* The Bureau Home https://www.bureauoflostculture.com
* The Bureau Instagram https://www.instagram.com/bureauoflostculture/
* The Bureau Newsletter  https://lp.constantcontactpages.com/su/N0ZYoFu/BOLC 
 

A Countercultural History of Camden Town

* Withnail and I, Poets, Spiritualists, Irish, Spanish and Hugenot immigrants, Serial Killers, Artists, Railway workers, William Blake, Rimbaud and Verlaine, Walter Sickert, Sex, Drugs, Rock’n’Roll, Music Hall, Folk, Britpop, Levitation, The Roundhouse, Cecil Sharp House, The New Jerusalem, Markets, Markets, Markets..
 
* Writer, researcher and walker of Lost Rivers Tom Bolton leads us up and out of The Bureau to wander through the streets and stories of the London Borough of Camden - for decades, the down and dirty end of the countercultural city - in search of the strange spirits that still pervade its highways and byways.
 
* For more on Tom and his work https://tombolton.co.uk
 
* Bureau Home www.bureauoflostculture.com
* Bureau Instagram https://www.instagram.com/bureauoflostculture/
* The Bureau Newsletter  https://lp.constantcontactpages.com/su/N0ZYoFu/BOLC 

The Lost World of The Self-Made Record

We revisit the wonderfully odd, lost culture of the coin-operated machines that allowed ordinary people to make a record of their voice long before the advent of tape or digital recording.(Jack White has been using one, The Voice O Graph, more recently to produce terrific lo- fi caught-in-the-moment records, including an album with Neil Young).
 
We are joined by oral historian and broadcaster Alan Dein to hear a selection of recordings of strange, moving ghostly voices from his collection and learn how the records were used to send messages home from the war, record visits to tourist destinations or to capture the sounds of loved ones in a way that had never been possible before.
 
For more on Alan’s award winning work
https://www.facebook.com/alan.dein
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Image courtesy Museum of London

Blondie, The Bowery and The Blank Generation

Gary Lachman, the original bass player of Blondie (as Gary Valentine), returns to the Bureau to tell of his time in the New York underground music scene of the 1970s.
 
Now the UK’s foremost writer on the esoteric, with 24 books under his belt including works on Aleister, Crowley, Jung, Gurdjieff, Magick and the occult, Gary was once deep in the heart of New York's 'Blank Generation'.
 
We hear about living with Debbie Harry and Chris Stein in a loft on The Bowery, playing CBGB and Gotham's underground clubs, hanging with The Ramones and Patti Smith, touring with Television and Iggy Pop and living the countercultural life on the Lower East side in the years before and beyond new wave.
 
For more on Gary
www.garylachman.co.uk
 
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Go on - follow, rate and review us - or be in touch directlybureauoflostculture@gmail.com
We'd love to hear from you.-------------
 

Raving Upon Thames

Soho and Chelsea have always been hailed as the epicentres of swinging London.
 
But there was a third, and now rather forgotten place which gave birth to The Cool - a place that was the home to one of the most influential jazz clubs of the 50s before providing a launchpad for The Rolling Stones and the bourgeoning British R+B and psychedelic scenes of the 60s. It was a place that went onto to host an extraordinary roster of artists including Cream, The Yardbirds, pre-Bowie David Jones, Pink Floyd, Black Sabbath, Jimmy Page, Genesis, Yes and many, many others before morphing into a hippy commune in the 70s.
 
Author Andrew Humphreys comes to the Bureau to tell the strange story of Eel Pie Island - a bucolic bit of London in the middle of the river Thames - an island which for 15 years played an essential role in the history of British counterculture.
 
For more on Andrew and his book Raving Upon Thames
http://www.paradiseroad.co.uk
 
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The Art and Craftiness of Sampling

Jon More, one half of cut-and-paste collage kings Coldcut and co-founder with Matt Black of Ninja Tune record label, joins turntablist, crate digger Strictly Kev of  DJ Food as we dig deep into the wild and wonky world of sampling - the borrowing, plundering, adapting and re-imagining of existing audio, songs and sounds to create new audio, songs and sounds.
 
Sampling  might have started off as a countercultural underground cut-and-paste technique used by experimental artists but it ended up powering a huge amount of hip-hop tunes and some very big hit records.
 
We hear some of Jon and Kev's favourite sampling selections, learn about the creative use of the tape recorder pause button, and delve into sound art, musique concrète and pop cultural pick-pocketing down the ages.
 
For more on Jon and Coldcut
http://coldcut.net
 
For more on DJ Food / Strictly Kev
https://www.djfood.org
 
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William Burroughs and Friends

The ghosts of William Burroughs, Jack Kerouac, Alan Ginsberg, John Giorno and Bob Cobbing make an appearance at the Bureau - as curator Steve Cleary plays us a  selection of super rare  recordings from the British Library Sound Archive.
 
The Archive is one of the biggest curated resources of audio in the world and includes over 1 million discs, 185,000 tapes, and many other sound and video recordings from around the globe  Steve takes us on a wander through its unparalleled counterculture collection.
 
We also hear from the capital's foremost chronicler of the counterculture, Barry Miles, on Burroughs' life in London  - along with a live recording of the beat writer at Manchester's Hacienda, a sampling of his cutups, some deeply strange sound poems and a wonderful recording of Kerouac jazz scatting at Neal Cassidy’s house.
 
For more on the British Library Sound Archive
https://sounds.bl.uk
 
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The Lost World of Pirate Radio - Part One

PIRATE RADIO first erupted in the UK in the early 1960s when stations such as Radio Caroline and Radio London started to broadcast from ships moored offshore or disused WW2 forts in the north sea. They were set up by wildcat entrepreneurs and music enthusiasts to meet the growing demand for the pop, rock and underground music not catered for by the BBC who had a monopoly on the airwaves.Music writer ROB CHAPMAN returns to the Bureau to tell the story of this first golden age of illicit broadcasting.  We hear of the extraordinary life of pirate-in-chief Ronan O’Rahilly anarchist founder of Radio Caroline, of legendary broadcaster John Peel and his ground breaking show ‘The Perfumed Garden’, and of the oddities of life aboard the radio ships precariously sailing the airwaves.Initially, the stations got round the law because they were broadcasting from international waters to delighted young people across the country before they ran foul of the authorities and were shut down in 1967. But their impact lived on: the government caved into youth demand for pop music with the creation of Radio 1 and many of the pirate radio DJs including Tony Blackburn, Kenny Everett, Johnnie Walker, Emperor Rosko went on to mainstream success with the BBC and commercial stations of the seventies and beyond.For more on Robhttp://www.rob-chapman.com
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London’s Lost World of Yiddisher Jazz

London’s East End and Soho were the centres of a unique musical culture in the years between the 20s and the 50s.
 
Award wining oral historian and radio producer ALAN DEIN returns to the Bureau to tell stories of songs that soundtracked that world and feature on ‘Music is the Most Beautiful Language in the World', the album of super rare tunes by London jewish jazz artists he has unearthed.
 
We hear tales of poverty and glamour, Soho gangsters, ghettos, vaudeville swing, comedy, cuisine and cabaret - and of some of the musicians who escaped the squalid streets of Whitechapel to become international stars. And we discuss what it means to be an oral historian, the power of story and how much radio still matters.For more on Alan’s work
https://www.facebook.com/alan.deinFor Don't Log off
https://www.bbc.co.uk/programmes/b01jxzy9
For the ‘Music is the Most Beautiful Language in the World’ album
https://jwmrecords.bandcamp.com/releases
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The UFO Club

Journalist and counterculture commentator Peter Watts joins us to talk about The UFO Club, the massively influential short-lived London club of the late 1960s established by Joe Boyd and John "Hoppy” Hopkins.
It featured light shows, poetry readings, avant-garde art by Yoko Ono and many rock acts (Pink Floyd, Jimi Hendrix, Procul Harem) who later became massive.
For a brief two year period, it acted as the epicentre of the whirligig of summer of love underground London with a 'who's who of the counterculture' guest list and set the standards for psychedelic fashion and design.
Peter’s blog on London and counterculture:
www.greatwen.com 
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The English Underground with Nick Laird Clowes - Part 2

We return for Part 2 of a trip through the English Underground scene of the 1960s and 1970s led by musician and pied piper Nick Laird Clowes of The Dream Academy.
Nick tells of his extraordinary youth deeply immersed in the political, musical and alternative scenes of West London. We hear about meeting Iggy Pop in a toilet, Nick Drake's guitar, the demise of Syd Barrett and dinner with Andy Warhol amongst many other terrific tales of living the countercultural life.
For more on the Bureau of Lost Culturewww.bureauoflostculture.com
For more on Nickwww.nicklairdclowes.com

The English Underground with Nick Laird Clowes - Part 1

We take a romp through the underground alternative and music scene of the 1960s in the first half of a two part episode. Our guide is musician and Nick Laird Clowes who regales us with stories of running away to the Isle of Wight festival, dj-ing at The Roundhouse, meeting John Lennon amongst many countercultural characters of the day and much, much more.
All this before an age when most of us had even smoked a cigarette - and all before his days of pop stardom with The Dream Academy.
For more on the Bureau of Lost Culturewww.bureauoflostculture.com
For more on Nickhttps://www.nicklairdclowes.com

Tales from The Flamingo Club

Ella Fitzgerald, Sarah Vaughan, Billie Holiday Dizzy Gillespie, Rod Stewart, Otis Redding, Wilson Pickett, Eric Clapton, the Moody Blues, Mick Fleetwood, Pink Floyd, Georgie Fame, Ginger Baker, Long John Baldry, the Small Faces … the roll call of those who played in the Soho basement called The Flamingo is a who's who of 50s and 60s cool. 
 
Journalist and author Pete Watts takes us on a trip through time and down the stairs of 33 Wardour Street to hear stories of one of London's most important lost and legendary venues.
 
We hear how the Flamingo was hugely influential on up and coming musical stars of the 60s like Pete Townsend and The Rolling Stones, how it played an influential roll in the history of black music in the city and how you can perhaps still catch its spirit in the gents’ loos of the Irish theme pub that now occupies the site..
 
For more on Pete Watts:
the great wen
 
For more on the Bureau of Lost Culture
www.bureauoflostculture.com 

The Lost History of Skiffle - with Billy Bragg

BILLY BRAGG pays a visit to the Bureau to lead us on an extraordinary whirlwind tour through the music that the counterculture forgot.
 
Along the way we hear about the emergence of The Teenager in post-war Britain, the massive impact of Rock Around the Clock, the Soho espresso bar culture of the 50s and the birth of British youth culture.
 
We explore why Skiffle, which soundtracked that youth culture for a few intense years and was the inspiration for musicians in The Beatles, Led Zeppelin, The Who and The Rolling Stones, has been oddly forgotten.  And Billy explains why, as the first British DIY musical revolution, Skiffle provided the template for the Punk movement of the 70s that was to inspire him.
 
Along the way, we get educated about the post war 'trad jazz' movement, the cultural stranglehold of the BBC - and the terrific transformatory power of a guy - or a girl - with a guitar.
 
For more on Billy and his book Roots, Radicals and Rockers:
https://www.billybragg.co.uk/product/roots-radicals-and-rockers-how-skiffle-changed-the-world-hardback-signed-by-billy/
 
Billy's Top Five Skiffle Tunes
https://youtube.com/playlist?list=PLZtMpev7GhPIi-e2ajPxUd_FVyUQxMBbB
 
For more on the Bureau of Lost Culture
www.bureauoflostculture.com 
 
 

Soviet Hippies

Forget California, swinging sixties London or the Paris riots for a moment, Estonian filmmaker Terje Toomistu joins us to talk about the hippie movement of the Soviet Union.
It had all the characteristics of Western hippiedom: long hair, groovy music, esoteric spirituality and drugs. The only thing missing perhaps was the radical public politics that would have pushed the repressive Soviet authorities into drastic, brutal  action  
Terji’s film, with its super groovy soundtrack of rare tunes, provides a fascinating glimpse into a moving, daring subculture that flourished east of the Iron Curtain. 
More about the Soviet Hippies film and Terje www.soviethippies.com
For more on the Bureau of Lost Culture:
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Days of the Underground: The Life and Times of Hawkwind

Hawkwind: Never in fashion but never out of it, piratical pagan proto-punks, avatars of the underground, figureheads of the free festival scene, innovative heralds of the rave generation, cosmic space rockers with street fighter spirit  - there is no one like them.
 
We meet with Joe Banks author of “Hawkwind: Days Of The Underground – Radical Escapism In The Age Of Paranoia” (Strange Attractor Press) to explore the story of a much loved band that have gradually come to win the respect of many of the most cynical of critics - perhaps partly just by virtue of still being around, but mainly by sticking to their fiercely independent, idiosyncratc, anti-corporate, psychedelic ethos.
 
And we return to the West London musical, social melting pot we have previously explored with Nick Laird Clowes to uncover the fertile countercultural ground that gave birth to Hawkwind and in which they played such an important role.
 
For more on Joe Banks
https://www.daysoftheunderground.com
 
For more on the Bureau of Lost Culture
www.bureauoflostculture.com

Which One’s Pink? Managing the Counterculture

One afternoon in the mid 1960s, Pete Jenner left off marking exam papers at the London School of Economics and popped into the Marquee club. There was a band playing, They changed his life - and he changed theirs. 
 
Pete enters the Bureau of Lost Culture to tell us about discovering The Pink Floyd, the band he and Andrew King guided from darlings of the underground to early commercial success.  
 
But that was just the beginning. We hear about Pete' early life as the son of a radical vicar and how politics and music blended in his involvement in the early days of the West London Underground scene: The London Free School, The Tabernacle, The UFO club and the start of the Hyde Park festivals.
 
We learn about the tragic disintegration of Syd Barrett who Pete and Andrew King chose to back whilst Pink Floyd went onto to global stardom, and we learn something about the ins and outs of a life spent in music, fostering the careers of Marc Bolan, Roy Harper, Ian Drury, The Clash and Billy Bragg amongst many others..
 
For more on the Bureau of Lost Culture
www.bureauoflostculture.com
 

Rebel Threads: Dressing the Counterculture

ROGER BURTON started out working on a farm and ended up running a Horse Hospital. No, he’s not a vet but has spent most of his life clothing, collecting and curating the counterculture.  Along the way, he has designed shops for Vivienne Westwood and Malcolm McLaren, provided the clothes for Quadrophenia, and Absolute Beginners, dressed the New Romantics, styled 100s of pop videos and given a leg up to many fringe artists (inc. me).
 
We dig deep into Rebel Threads, his amazing book and collection of youth culture clothing from the 1920s - 1980s, hear about the birth of Mod, selling gear to the Kings Road boutiques of the 60s and 70s and how the actual 18th century Horse Hospital he runs has provided a venue for 27 years worth of unparalleled radical, fringe gigs, film, exhibitions and happenings in central London. And how, despite wide support across both the mainstream culture and the counterculture, it is facing closure due to the usual sad London story of property developer greed.)
 
For more on Roger, Rebel Threads and The Horse Hospital
http://thehosrsehospital.com
 
For more on the Bureau of Lost Culture
www.bureauoflostculture.com 

Days in the Life: The Language of Counterculture

Chick.Trip.Dope, Pad. Heavy. Cool. Scene. Man. Beat. Freak. Weed. Bang. Square. Blast. Cat. Gas!
 
In an action packed episode, we spend a Soho afternoon with 'Mr Slang’ Jonathon Green discussing his amazing life in the counterculture, writing for Rolling Stone and the underground magazines including IT, OZ and Friends. 
 
Then we dig deep into his ground breaking catalogue of the counterculture: ‘Days in the Life: Voices from the English Underground' with its interviews of over a hundred figures involved in the counterculture including Paul McCartney, Barry Miles and Jenny Fabian.
 
And, as Jonathon is our foremost lexicographer of slang, he takes us on wander into the weird and wonderful world of countercultural language, exploring where all those hippie and beatnik words came from and discovering why ‘Fuck' is not in fact a swear word.
 
For more on Jonathon’s books
http://jonathongreen.co.uk
 
For more on Jonathon’s Slang Dictionaries
https://greensdictofslang.com
 
For more on the Bureau of Lost Culture
www.bureauoflostculture.com 
 

Tonite Let's All Make Love in London: The Films of Peter Whitehead

Peter Whitehead was an innovative English writer and filmmaker who documented the counterculture in London and New York in the late 1960s.
 His film Wholly Communion captured The International Poetry Incarnation, a groundbreaking event at The Royal Albert Hall in 1965 that was to prove pivotal in the evolution of the underground  scene. The film featured poetry readings by Beat poets including Allen Ginsberg, Michael Horovitz, Adrian Mitchell and Lawrence Ferlinghetti and established Whitehead as the London counterculture’s 'Man With a Movie Camera’.
 
Film event producer Marek Pytel walks us through Whtehead's life and work including the iconic 'Tonite Let's All Make Love in London’ documentary that helped define the "swinging London" scene of the sixties with psychedelic performances and interviewees including Pink Floyd, John Lennon, Yoko Ono, Mick Jagger, Vanessa Redgrave, Lee Marvin, Julie Christie, Allen Ginsberg, Eric Burdon, Michael Caine and many others.
 
We hear how Whitehead went onto film with The Rolling Stones and Jimi Hendrix and to make provocative work about the countercultural protest movement in late 60s New York before making an extraordinary career swerve.
 
For More on Marek Pytel's work see www.realityfilm.co.uk
 
For more on the Bureau of Lost Culture
www.bureauoflostculture.com
 

Barney Bubbles: Designing the Counterculture

Writer and cultural commentator Paul Gorman takes us on an exploration of the countercultural designer Barney Bubbles. It is an extraordinary story, magic and tragic by turn.
 
Bubbles, who, despite his effervescent alias, was so modest that he declined to have his name included on the many extraordinary album covers he designed, has rather faded from public awareness since his untimely suicide. But he remains much admired by lovers of album cover art and has influenced a growing coterie of graphic designers. 
 
Paul, who has championed him with a biography and three exhibitions, traces his life and work from the hard boiled world of advertising and commercial graphics in the 60s, through the psychedelic West London underground scene of the early 70s, to the post punk era of Stiff Records and beyond. Along the way we hear of some of the outpourings of the cornucopia that was Bubbles’ mind, including the designs of Frendz magazine, the Hawkwind Tarot, The Specials' Ghost Town video - and those album covers..
 
And we hear about Paul’s own journey and, as usual, speculate on the nature of this creature called ‘counterculture’.
 
For more on Paul Gorman
https://www.paulgormanis.com
 
For more on the Bureau of Lost Culture
www.bureauoflostculture.com 
 

The History of the Self - Made Record

We are joined by oral historian and broadcaster Alan Dein.
We discuss the history, culture and technology of the coin-operated machines that allowed ordinary people to make a record of themselves in the West (and, in adapted bootlegged form, to create records of forbidden music in the Soviet Union) long before the advent of tape or digital recording.
We hear a selection of extraordinary recordings of strange, moving voices from Alan’s collection and learn how the records were used to send messages home from the war, record visits to tourist destinations or to capture the sounds of loved ones in a way that had never been possible before.
For More on X-Ray Audio
www.x-rayaudio.com
For More on Bureau of Lost Culture
www.bureauoflostculture.com
 

The Soviet 'Punk Frank Zappa'

We meet with film director Olivia Litchenstein and BBC Russian Arts presenter Alexander Kan to hear about the extraordinary musician Sergey Kuryokhin, ‘the Soviet Punk Frank Zappa’ who with his underground cohorts in Leningrad tried to soundtrack perestroika as the cold war crumbled around them.
Olivia tells of the strange circumstances of the making of the BBC TV series Comrades during the twilight of the Soviet Empire, with tales of tapes smuggled in diplomatic bags and a bizarre intervention by Ronald Reagan.
Alex tells of his friendship with Kuryokhin, an incredibly talented, charming musical provocateur whose live performances astonished Russian audiences.  And we learn of the bizarre prank Kuryokhin played on National TV claiming Lenin was a magic mushroom, just one of many dadaist interventions he made before his tragically early death.
The Comrades program featuring Sergey Kuryokhin: https://youtu.be/ibY2lXdgdnM
For more on The Bureau of Lost Culture:
www.bureauoflostculture.com

A Short History of Soviet Counterculture

Was counterculture possible in the oppressive, repressive circumstances of the Soviet Union?
Join us as we meet with broadcaster, author and cultural commentator Artemyi Troistsky - the 'Russian John Peel’ - to find out.
We hear some entertaining, comical, tragic, moving and frankly strange stories including tales of the ‘Stilyagi' Soviet Hipsters, the first disco in Moscow, Che Guevara and Lenin as a mushroom.
And we hear how rock music evolved in secret before breaking into the light as perestroika transformed Soviet society.
For more on Art:https://en.wikipedia.org/wiki/Artemy_Troitsky
For more on the Bureau of Lost Culturewww.bureauoflostculture.com

Drugs, Doctors and Rock 'n Roll

In this episode, we meet with radical doctor Sam Hutt who ministered to countercultural London in the 1960s and with Hank Wangford, English Country and Western singer par excellence.
Sam tells us about growing up in a 1950s communist household in a posh part of London. We hear stories of sixties Soho and psychedelic marmite, about buying heroin from Boots and about prescribing cannabis for some very famous musicians.
We learn how Sam frequented underground clubs like The Flamingo, dropped acid, made one of the greatest psychedelic singles of all time, hung out with rock stars and witnessed the tragic decline of Syd Barrett
Hank tells how Sam Hutt became Hank Wangford after a broken love affair. We hear how he and Keith Richards were turned onto country music by Gram Parsons and about his days as part of the Red Wedge anti-Thatcher movement in the 1980s - all along with two tunes recorded live at Soho Radio.
For more on Hank Wangford
www.hankwangford.com
For more on Bureau of Lost Culture
www.bureauoflostculture.com
 

Sweat, Drums and Rock 'n Roll - with Twink

We meet with legendary drummer and songwriter John Alder / Mohammed Abdullah, best known as Twink, who played for the In Crowd, Tomorrow, The Pink Fairies, The Pretty Things, Hawkwind, The Aquarian Age, Pink Wind and Stars - amongst others legendary acts.
One of the foremost figures of the late sixties London music scene, he tells us what it was like - from the inside.
We hear what Jimi Hendrix said to him when they jammed at The UFO club, about Syd Barrett’s tragic last gig and about a life beating out the rhythm of the counterculture from Colchester to Morocco and back again.
You can find out more about Twink’s legacy at www.thinkpink50th.com
For more on the Bureau of Lost Culture
www.bureauoflostculture.com